Worship Musician MayJun16

ACOUSTICTREATMENT Broken Vessels (Amazing Grace) - Chorus B ° #4 & 4 CHORUS B (fig. 4) j œ œÓ œ œ jœœœ œ œ œ œ œ J œ œ ˙ œ œœ ˙ ˙ jœ œ ˙ jœ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙ H.O. H.O. H.O. 0 ¢⁄ ° # & 5 0 3 3 0 3 0 0 3 0 3 2 0 0 2 3 0 3 3 0 0 0 0 H.O. 0 0 2 3 3 0 œ œ œÓ œ œ œ œ œ œ œ œ œ œ œÓ œ œ œ œ œ ˙ œ œ œ œ ˙ ˙ œ ˙ ˙ ˙ ˙ ˙ H.O. ˙ ˙ H.O. H.O. 0 ¢⁄ 3 0 3 0 3 0 H.O. 3 0 0 2 2 2 3 3 0 2 0 0 3 0 0 0 0 3 3 0 Broken Vessels (Amazing Grace) - Bridge ° # ™4 œ œ œ œ œœ ™ œ œ œ œ œ œ œ œœ ™ œ œ œ œ œ œ œ œœ ™ œ œ œ œ œ œ œ œ œ œ œ œ ™ ™ & ™4 ˙ ˙ ˙ ˙ ˙ H.O. BRIDGE (fig. 5) ¢⁄ ™ ™ H.O. 5 8 7 5 5 8 7 8 7 7 5 arrangement from sounding blocky. 7 5 5 8 7 8 7 7 7 5 8 8 7 7 7 8 7 10 8 7 10 8 7 0 7 8 time. The goal is to give them more to work with Hope this was helpful! I look forward to seeing so they’ll want to add more acoustic. you next time – God Bless ~ Doug CHORUS A (fig. 3) Chorus A primarily uses “1-53” chord voicings that really highlight the tactile BRIDGE (fig. 5) Because I’m not using a capo sound of the instrument. These voicings also here I have more options for where can play the demonstrate that you don’t have to hit all the bass notes and melody. As much as I love the strings all of the time! sound of a capo’d guitar, it can become mental crutch that actually prevents you from crafting CHORUS B (fig. 4) Like Verse 1, I play this part parts that require more than open position much quieter the first time through. Always chords to pull off. a great idea to leave some room so the Joel Houston, Jonas Myrin Publishing arrangement can build dynamically. Many FORM The basic form I©Hillsong tend to playMusic is pretty acoustic guitar players play at two volumes close to the recorded version: Intro 1, Verse, quiet or loud without much in between, leaving Chorus A+B, Intro 2 (just the second half of the sound team little option but to bring them Intro 1) Verse, Chorus A+B, Bridge, Chorus down so they don’t get too loud at the wrong A+B 46 ™ ™ May  June 2016 WorshipMusician.com DOUG DOPPLER ... is the Worship and Creative Arts Director at C3 Church San Francisco. Doug is also a former guitar student of Joe Satriani, a GIT graduate, and an avid gear collector.

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