How big is your worship band? Are you open to adding multiple of the same instrument? It’ s common to have a piano plus keys and electric rhythm guitar plus electric lead guitar. But what do you do about the acoustic guitar? I encourage you to make room for extra instruments largely |
will hear an“ Ab.” The second job that a capo does is to change the chord voicing( same chord, different voicing). Play an“ E” chord then place your capo on fret 4 and play a“ C” chord shape and you’ ll hear a different shape of that
“ E” chord.
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because it’ s making room for someone else | |||||||
to serve. |
So, there’ s your answer for blending two |
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different acoustic guitars. If you’ re playing a song | |||||||
I have been at a church that( silently) communicated to me that they had no need for me or my guitar. That’ s super disheartening for someone who feels called and gifted to serve in that way. When it comes to your instruments, as long as they are playing differently, it’ s safe to add multiple of the same. Obviously, keys and piano would be playing totally different sounds, but |
in the key of“ E,” give your standard chart to one acoustic guitar player and then give a chart for the key of“ C” to your capo 4-guitar player.
When they play together, they won’ t be sonically fighting each other so much. Of course, it would be even better to have one playing more finger style and one flat-picking. That would be more like having both rhythm and lead electric guitars.
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in the same way, multiple keys can play totally | |||||||
different sounds. I can’ t say I’ ve seen anyone use two bass guitars before, but this can serve as a reminder that the keyboard can step on the bass guitar’ s toes( so to speak). |
Consider this same lesson when recording. If you breakdown most song recordings, you’ ll find multiple stems of each instrument … including acoustic guitar and many of those will have a |
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variation of chord voicings. | |||||||
I bring this up mainly to talk about the acoustic | |||||||
guitar. I can think back to long ago when I first began playing in a band. I played with another guy also playing acoustic. It felt like we were |
I used to tell a story when teaching workshops about the first NAMM show that we showed the
Short-Cut Capo. It was Summer NAMM 2002
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having a guitar battle every | |||||||
Sunday. It was sort of like |
Comfortable Keys |
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plugging into a delay pedal, cranking it up, and then playing a full-strum rhythm. What a mess! We didn’ t have a clue how to complement each other in what we were playing. |
Key
A
A #/ Bb
B
C
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Capo 1
A
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Capo 2
G
A
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Capo 3
G
A
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Capo 4
G
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Capo 5
G
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Capo 6 |
All these years of working with capos, it’ s really second nature to me … but hopefully this will spark some ideas for you. Capos do two different jobs. The first and most obvious job is simply to raise the pitch. Place your capo on fret 1, play a“ G” chord shape and you |
C #/ Db
D
D #/ Eb
E
F
F #/ Gb
G
G #/ Ab
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D
E
G
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C
D
E
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C
D
E
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A
C
D
E
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A
C
D
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G
A
C
D
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