and other advanced features that will appeal to ambience chasers and seasoned tonal architects alike . Since it has a mono in and stereo out I use it to receive the signal from my drives then split it into a stereo send directly to both amps .
The HX ONE can be used for so many different things but I use it as one of my delay pedals . It has 250 + stunning effects emulations , the HX One merges Line 6 ’ s world-renowned HX technology with the workflow and form factor of a traditional stompbox . This stereo multi-effects floor processor offers a superbly straightforward approach similar to a standard guitar pedal , with one effect available at a time to keep things simple and efficient onstage and in the studio . A high-visibility OLED screen and tactile controls deliver an inviting and easyto-navigate feel , from dialing one of your 128 onboard presets to adjusting the HX One ’ s adjustable impedance and buffer settings . You also get an extensive I / O section and versatile control options , including two 8-pin MIDI In / Out-Thru ports , USB-C for the HX One Librarian app , footswitch / expression jack capabilities , and a Flux / Tap switch to access tap tempo and automatic parameter shifts . No matter what type of rig you ’ re running , the Line 6 HX One ’ s vast effects library and easy operation unlock a whole new realm of sonic possibilities .
Since I have gotten used to snapshots and presets , I integrated the HX ONE with my foot controller through MIDI and have different presets assigned to it . When I use snapshots , I always have a 2-3db bump on my lead tones . That ensures that when I ’ m playing live , I ’ ll have my solos cut through the mix better . So through MIDI , when I hit my presets for lead it automatically kicks on my HX ONE preset with the db bump and gives me what I need for my lead tones .
For my reverb pedal I went with my trusty Revelation pedal from Jet Pedals . The Revelation Reverb is engineered with six studio-grade algorithms , six onboard presets ( 127 with MIDI ), full MIDI control over every knob , switch , algorithm , preset , etc . Additionally , it features a live mode , preset mode , kill-dry mode and full stereo analog dry thru .
It also comes with 3 brand new algorithms Spring , Room , and Plate , enhanced existing algorithms , added pre delay , and a filter knob for creating darker reverbs . I ’ ve tried a lot of reverb pedals , but I seem to always come back to this one . I also control with the the MIDI Baby 3 from Disaster Area . It has 3 stomp switches , so I use them to recall my presets .
As far as my foot controller I went with the DPC 5 from Disaster Area . I like that it does analog and MIDI . The DPC-5 is a compact MIDI controller and loop switcher . It ’ s designed
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