microphone. While Sphere microphones are best suited for studio, broadcast, or controlled stage environments due to their dual-capsule design and potential sensitivity to feedback, they offer tremendous flexibility for capturing everything from lead vocals and acoustic guitars to choirs and percussion in pre-recorded or streaming contexts.
For more traditional live sound applications, UA’ s Standard Series( SS) microphones— which also support Hemisphere mic modeling technology— provide a more familiar handheld or stage-friendly format while still allowing engineers to dial in iconic mic tones with precision. Whether using Sphere in the studio or SS mics on the platform, UA’ s real-time mic modeling( when paired with an Apollo interface) enables worship sound teams to sculpt consistent, high-quality tones before they ever reach the livestream, FOH mix, or inear monitors.
Universal Audio’ s Standard Series( SS) microphones, equipped with Hemisphere mic modeling, are a powerful solution for live worship environments where stage volume, feedback, and variable mic technique can present real challenges. Designed to perform reliably in front-of-house and monitor-heavy situations, SS mics offer the classic durability and pattern control of trusted dynamic designs— making them ideal for live vocals, speaking pastors, and worship leaders. Yet, they still deliver UA’ s signature flexibility: engineers can select from a range of legendary mic models and tailor the tone to each vocalist’ s needs, even with limited time or experience.
In volunteer-driven worship tech teams, this modeling power eliminates the guesswork— allowing sound teams to dial in the best mic sound for any leader without swapping hardware. And because Hemisphere modeling can also be applied in post-production, worship services that are streamed or archived benefit from a consistent, polished vocal tone across all platforms.
For larger churches or those using Dante audio networks, Universal Audio recently released E Series Dante-enabled interfaces. The Apollo E Series includes the Apollo e1x Remote-controlled Unison™ Preamp and the Apollo e2m Stereo Headphone Amp and Line Interface, both of which feature Dante connections and mic stand mounts for live, broadcast, and networked studio use. These interfaces are designed to bring the power of UA’ s renowned analog modeling and real-time DSP processing to networked audio workflows. That means churches can distribute audio from stage to broadcast booth to monitor the world with minimal latency, pristine fidelity, and virtually no loss of sound quality. Ideal for multi-room routing and live-streaming setups, Universal Audio’ s Apollo interfaces allow worship teams to place UA-grade audio processing anywhere in the building or across multiple campuses with Dante’ s plug-and-play reliability.
June 2025 Subscribe for Free... 49