a single element . NexaDyne ’ s dual motors allow for a more tightly controlled proximity effect along with the unique ability to remove unwanted noise and pick up at a level far beyond any single element design on the market . In NexaDyne , the second transducer creates a sub-system to reduce handling noise as common mode rejection , like a balanced line , and simply subtracts off-axis response from the primary response . The mic suspension system is a non-pneumatic support structure shrunk down to fit inside the body of a vocal mic . When brought together with UniDyne , this system , named Revonic , delivers for the artist what they hear in their head and a simple path to clarity for the engineer without the need for extensive EQ .
Moving from single to dual elements required Shure to rethink the entire manufacturing process and it is a testament to their tenacity we have the 8C ( cardioid ) and 8S ( supercardioid ) models available today at a reasonable asking price of $ 299 each . In use , both models deliver on Shure ’ s promise of clarity with nearly inaudible handling noise along with superb off axis rejection . In loud stage environments , the 8C and 8S would be a first choice and almost universally so in light of the extensive increase in gain-before-feedback exhibited compared to any standard microphone .
For quieter situations , NexaDyne still shines due to its innate clarity thanks to the second element design . It excels with any vocal range ,
timbre and type . On sopranos , it sears without scorching , on tenors , it soars without bite and on baritones , it envelopes without constricting . For any technical rider in any conceivable musical genre , NexaDyne deserves a place at the top of the list .
$ 299 www . Shure . com
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Kent Morris Kent Morris is a 44-year veteran of the AVL arena driven by passion for excellence tempered by the knowledge all technology is in a temporal state .
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