without clashing .
Perhaps more than any other kind of sound , pads are often all about the ‘ feel ’, which makes them a challenging , moving target . It ’ s a great idea to ask for and incorporate feedback from other people on your team , your worship leader , and audio engineer to ensure the pads you choose are adding to the mix without stepping on anyone ’ s toes .
THE RIGHT TEXTURES Beyond pianos and pads , there ’ s a wide variety of other sounds commonly pulled in from the keyboard in modern worship music . The sheer breadth of possible textures might seem intimidating , so I ’ d encourage you to take a ‘ one sound at a time ’ approach if you start to feel overwhelmed . These sounds can add texture and depth to your sonic palette .
Whether it ’ s adding rhythmic and melodic interest via arpeggiated synths , brightness and clarity with synth leads , chest-thumping power from layered synth bass , or a cinematic bent provided by strings , bells , and other orchestral elements , layering in textures is often an elective practice , rather than an essential one . In this category then , you should feel freer to explore and try different ideas to see what works best for you and your team .
As you do so , think about how they ’ ll work with the other elements of the song . The goal is to create a musical blend , where each element complements the others , rather than competing for attention . The right textures can elevate a song , bringing an extra layer of energy , polish , and excitement to your band ’ s sound .
PAINT BY NUMBERS The role of a worship keyboardist is more than just hitting the right notes at the right time . It ’ s about aiding your bandmates and helping to create a sound that enhances the worship experience , making each song useful and encouraging to your congregation . It ’ s not as simple as paint by numbers , but that ’ s a good thing . Our authentic artistry , expressed in worship music is a blank canvas , where each element , whether a grand piano , a lush pad , a rhythmic arp , or a soaring string ensemble , is a part of the overall picture .
Take time to experiment with different sounds and discover how they can add to your worship set . As you master the art of choosing the right keys sounds , you ’ ll find yourself not just covering songs , but uniquely painting them with not just the notes , but the sounds you choose .
Your congregation won ’ t fully understand your process , but they ’ ll feel the impact of your contribution , and your bandmates will be encouraged and supported by your intentional effort . Beyond the notes , and yes , even the sounds you choose , your level of commitment to bringing something authentic as an expression of worship , is what will bear the most fruit .
David Pfaltzgraff Founder and Lead Sound Designer at SundaySounds . com , a site that resources worship keys players and guitarists around the world . David currently resides in Des Moines , IA with his wife and two boys . He enjoys volunteering in his church ’ s worship ministry , old synthesizers , and a good super-hero movie .
SundaySounds . com
92 July 2023 Subscribe for Free ...