a sub-0.7mS cumulative latency , eliminating concerns over IEM mixing quality . The newly developed Continuity User Interface combines the best of analog and digital layouts and deserves kudos for making the mixer easy to configure into a preferred workflow . This is one console than adapts to the engineer instead of forcing the engineer to adapt to the console . With two 15.6 ” passive multi-touch screens and user-definable knobs placed strategically around them , plus twenty-four faders assignable to six banks , Avantis is simple to navigate and control . A full metal exoskeleton provides rigidity without adding weight while the optional GX4816 stage box is designed to complement the mixer ’ s somewhat limited dozen onboard inputs . If the GX4816 isn ’ t quite right for your application , the company offers a range of nearly a dozen I / O module options in various input / output counts and form factors . Two 128 channel option card slots , instead of the expected one , make possible simultaneous digital audio network usage ( including Dante , Waves , MADI , AES , fiber , and A & H proprietary interconnectivity ). Twelve effects engines with dedicated returns will fulfill almost any processing needs , but , if more horsepower is needed , there is an optional dPack upgrade available with hardcore tube emulation , DEEP compression and extensive EQ plug-ins for every channel .
Features are one thing , but benefits are another , and it is here the Avantis truly shines . The Continuity UI workflow really is as simple as it looks and things just seem to be where you expect them to be as the mix process unfolds . The sound quality is on par with consoles costing twice the asking price and ,