Then we have the Mixolydian Mode , which is like a Major scale with a lowered 7 th degree . Following this , we have the Aeolian Mode , which is better known as the natural minor scale . Finally , we have the Locrian Mode , which is the most unstable of all the modes , and which is like a natural minor scale with a lowered 2 nd degree AND a lowered 5 th degree .
As you can see , each mode is slightly different . All it takes is one small change to one mode to transform it into a different mode .
To use an analogy , if I ’ m trying to call someone on the phone using a 7-digit number , but I change just one of those digits as I dial , I ’ ll call someone else , right ?
To demonstrate how each of the modes sounds different , I encourage you to watch the accompanying video where I take the well-known public domain melody “ Joy to the World ” ( which is a descending Major scale ) and I bring it through each of the 7 modes .
Now , just for the sake of argument , what if I ignore the rules of the mode ? Well , things won ’ t sound quite right .
Here ’ s a quintessential example : the traditional melody for Scarborough Fair . It belongs in D Dorian , but if I changed one note – the raised 6 th degree of the scale – the B natural , as and lower it to B flat , changing the D Dorian mode back to the D natural minor scale you ’ d recognize the change instantly . ( I do this in the video as well .)
So now you ’ re a bit more familiar with modes . ( Watching the video will help you see and hear them too .)
The next step is to familiarize yourself with how they feel on the fretboard as you play them , whether in open position , or inside any moveable scale form . I recommend starting with the key center of C Major , but you can play any mode in any key signature .
Where do we find modes , especially the ones that aren ’ t simply Major or minor ? Everywhere .
They ’ re hiding in plain sight in classic rock , modern rock , electronica , classical music , Spanish guitar music , pop music , film scores , Celtic music , jazz music , folk tunes , and of course , worship music .
We just need to know what to look for , and especially what to listen for . Once we have command of these modes , we can use them for our own arranging and composing .
P . S . Be on the lookout for part 2 of this 2-part series where we leverage modes with chords . See you then !
© GuitarSuccess4U . All rights reserved . David Harsh David is a nationally touring worship leader , songwriter and performing artist . He is passionate about equipping guitarists to discover their potential . Learn more and join now at www . GuitarSuccess4U . com .