Worship Musician Magazine April 2024 | Page 112

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PERCUSSION
STOP IT ! | Mark Shelton
High-quality ensemble playing requires proper rhythmic phrasing . Starting the sound at the proper moment is vital , but sustaining for the correct length of time and ending accurately are equally important — and you can ’ t just stop any old way . Good musicianship requires ending sound in a manner that suits the moment . As percussionists , we need to master several stopping techniques to adequately cover the wide variety of instruments .
SUSPENDED CYMBAL
The ring of a suspended cymbal can last several seconds , and often it is appropriate to allow the sound to fade naturally . However , there are many occasions when vibrations must be stopped at a precise moment . The standard suspended cymbal choke method is to simply grab the vibrating plate between the thumb and fingers of one or both hands . An alternative is to lean into the cymbal and make contact with
the upper abdominal area . Both choke types are
Of course , many situations do not require a
demonstrated in this short video :
special method to end the sound . For example :
• Striking a series of eighths on a snare
drum — just hit each note and move on .
• Stopping
the
striking
motion
on
a
suspended cymbal roll but allowing the
cymbal ’ s ring to decay naturally .
TRIANGLE
Stopping techniques come into play when an instrument has a naturally long sustain needing to be controlled and / or when a roll has a specific ending point .
In addition to holding the suspension device , the holding hand plays an important part in controlling the sustain of the triangle . The sound can be accurately stopped by closing the outside
two fingers and the side of the palm around the
Check out some examples of stopping techniques on a handful of percussion instruments .
upper corner area of the instrument . Both the holding hand grip and stopping technique are
demonstrated in this short video :
PIATTI ( Hand-held Cymbals )
Back in an earlier century , somebody decided
that choke should be the term for stopping the
ring of a cymbal . The term ( or the abbreviation
CH ) frequently appears in sheet music to
indicate when to stop the sound .
TAMBOURINE
After making a crash , allow the cymbals to ring and bring the plates into your upper abdominal area to stop the vibrations at the end of the rhythmic value . This choking technique is pretty simple — until you have to make a choke quickly after a crash , followed by another crash as shown in the example below ( EX 1 ):
The shake roll is the most common method for sustaining sound with the tambourine . When playing the shake roll , the instrument is usually perpendicular to the floor . To end the roll , stop the shaking motion as you bring the back of your hand ( along with the tambourine ) towards the floor . This will cause the jingles to fall against
the jingle slots . With just a little practice , you can
( EX 1 )
Choke CH CH CH
======================= /
« « « « « « 4 ˆ j ‰ ‰ ˆ j ˆ j ‰ Œ ˙ ˆ j ‰ ˆ j ‰
When playing a friction roll ( a . k . a . thumb or finger roll ) on the headed tambourine and a landing note is needed as the roll stops , drop a finger onto the head or bring the side of the palm down to contact the head . Both methods are shown in this video :
TIMPANI The long sustain of timpani brings the potential for ringing pitches to clash unless a precise stopping technique is applied . The technique , known as dampening , also aids with rhythmic phrasing . To dampen a ringing head , spread the middle , ring , and pinky fingers away from the mallet handle while maintaining control of the stick with the index finger and thumb . Lower your hand so the three fingers and thumb make contact with the head and stop the vibrations . Be careful to make contact with a quick and firm motion to avoid accurately land the ending of a shake roll .
creating a buzz as the fingers touch the head .
Knowing how to stop sound on percussion
instruments is important , but knowing when is equally vital to good phrasing . Sometimes notation can be ambiguous as to when to stop sound . Let your musical instincts guide you as you listen to the other musicians and fit your part into the total musical texture .
© 2024 Mark Shelton Productions / Percussion For Worship
Mark Shelton Mark is a freelance musician , educational consultant , and content creator based in Dallas / Fort Worth . Performance credits include North Carolina Symphony , Tin Roof Tango , Daystar Singers & Band , Gateway Worship , Stonebriar Church , Wichita Falls Orchestra , Strata Big Band , TALEA , and Dallas Wind Symphony . www . marksheltonmusic . com percussionforworship . blogspot . com
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