dry, you can set the Underfacer to mute just the mix out front. If you kick into a solo he can separate Volume pedal on my compact fly rig
one side by changing the internal dip switch. bring up the dry signal to get you to stick out in because it won’t fit. FOUR CABLE METHOD:
This way you can easily mute the dry amp for the mix. I hear a lot of FOH guys complaining If you like to use the FX loop on your amp,
spacious swells and ambient sounds with no that there is too much FX on the guitar. It may Audition is the answer. Simply place it after your
dry signal. The TX versions also have a handy sound just fine in your mix but he can’t get it to dry pedals (compressor distortion etc.) run the
ground lift and phase switch. If you have a hum, cut through. WDW solves the problem. Using Send to your amp input. Next take the amp’s
or a mic/amp is out of phase it’s a real time the RMT remote switch, you can also mute the FX send back into Audition return and run the
saver. Lastly the Master Mute allows you to dry amp and just have beautiful ambient special output of your wet effects back into the EFX
mute the whole board so you can change your sound for pads & swells. Another option is to return. The Audition is super handy, and it also
pedals etc silently. I change out stuff all the time use one great amp for your dry amp and a has a 9V pass through for convenience.
in the studio, and it’s a great feature. stereo amp simulator for the wet left & right. It’s a great solution. Since the stereo wet only RMT
OUTPUT signal is all FX, you’re not stressing as much The RMT remote is a solid tiny remote foot
Output is basically just the DMS™ Dual Mono about the perfect amp tone. It’s also a great switch for the Interfacer/Underfacer Summing
Summing section of the Isolator/Underfacer way you can immediately go from a mono amp and master Mute and Isolator’s two muting
units above. If you just need the ability to live, to WDW without having to buy two more options. Its LED is powered by either unit.
mono sum your stereo pedal board, this will Guitar amps. You just need to add a stereo DI.
CONCLUSION
do the trick. It’s smaller and can fit on top or
underneath your board. It’s perfect for a smaller AUDITION Goodwood Audio has come up with some
fly rig. It still has the Burr Brown Op Amps. Audition is a flexible junction box that lets you amazing junction boxes for guitar players.
There’s also a TX (transformer) version that add pedals to your signal chain without the also adds Phase reverse and ground lift. The hassle of re-patching your pedal board. It’s They’re the secret weapons and missing links
summing mini switch is on the side. Like all the based on a simple enough idea but Goodwood of the modern pedal board world. I can’t
units it runs on 9v DC. has brought it to life. It’s another must-have imagine not having them on my board. I’m
box. I fell in love with it immediately. In the sure you will feel the same once you get one or
ISOLATOR studio I’m continually adding weird pedals for two. If you have a stereo board you really need
The Isolator is the perfect way to get a massive a session that just won’t fit on the board. It’s the Interfacer/Underfacer or Output solution. If
sound using three amps in what’s referred to a pain to pry off the existing pedal, find cables you’re playing big venues the WDW Isolator will
as WDW or Wet Dry Wet. The idea is running and power, and then put everything back make your FOH guy happy. Audition is perfect
all your stereo effects into the left and right afterwards. Audition can be used for mono or for studio or for a fly rig. The products range
amps with your middle amp running dry effects stereo pedals. I could really use two of them in price from $75.00 to $299.00 depending
only. The result is a massive sound. I first heard on a studio board. I’d place one after my dry on the options. I highly recommend checking
this in LA when Michael Landau would play pedals, and one in the stereo chain. Super them out.
at the Baked Potato. It was the biggest most helpful too if you want to run into a piece of rack jaw-dropping thing I’d ever heard live. In a live gear. All you need is a couple TRS to mono Y venue WDW also gives your FOH a little more adaptor cables. For a fly rig you could use it control over how much delay & verb etc is in for a Volume or Wah pedal. I usually have a
June 2018
WorshipMusician.com
GoodwoodAudio.com
$75.00 to $299.00
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