Worship Musician July 2020 | Page 115

be. For example, are there times you’re the one who plays some music that connects songs? Are there ways you can be well-prepared for those moments so that the music you create isn’t distracting from the mood your team is creating? Gather the details you need. Find out the key of the song you’ll be leaving and the key of the song you’re headed toward. Are the songs being played at similar tempos? If so, you can create similar keyboard activity to make this transition. Is there a recognizable instrumental hook played as the intro to the song you’re approaching? You could use that hook during your transition music, even if you’re not yet in the next song’s key. How about being prepared by having the right palette of sounds ready on your keyboard or your laptop for the set of songs you’re playing? If you’re like me you’ve had moments in a rehearsal when you’re trying to remember where that great piano sound was or where that super rich pad sound was but all you’re finding in your search is tuba and kazoo sounds. And the rest of the team is waiting for you to get the intro started. Awkward for sure. What tools do you need to come through those moments? Make some notes on your phone or your computer or somewhere handy reminding you where particular types of sounds are. Learn how to store sounds in your keyboard or software so that they can be tagged by song title or service date. Put your sounds in the same order as the set list. Another important detail for choosing sounds is finding out the tempo marking you’ll use for the songs. This matters because you’ll want to set delays or arpeggiations in advance to save you some frantic button pushing when you realize your playing isn’t matching the click track. What tools can help you become more comfortable singing as you play your instrument? Repetition. Repetition. Repetition. Be kind to yourself and don’t expect to feel completely relaxed if the first time you try and sing as you play is with several hundred people gathered in a service. Sing a lot at your instrument. What can seem daunting and beyond challenging right now can become effortless with time. Get a mirror and position it where you can watch yourself singing and playing. Ask friends or family to be your “audience” so you can sing a bit as you play. Some of these things aren’t physical tools that you’ll hold as you serve on your worship team. But they are all things that contribute significantly to how effective and confident you can feel in what you do. Prepare well. Practice your craft. Work with the tools you have and become proficient using them. Ed Kerr Ed Kerr lives in Seattle with his family. He serves as worship arts director at First Free Methodist Church, teaches keyboards in Paul Baloche’s leadworship workshops and is a clinician with Yamaha’s House of Worship. He also manages the Yamaha Worship Facebook group and invites you to join the group. www.KerrTunes.com July 2020 Subscribe for Free... 115