can - and nothing beats the real thing for this two controls work is to go back to our solo (say 10kHz+) as we will first play with the LF
exercise. snare loop and create a bus or adjust the cut. As you sweep the LF cut frequency higher
reverb effect mix so that we hear 100% wet and higher, you’ll clearly hear the bottom fall
and 0% dry, only the reverb generated from the out of the reverb. At the extreme range, you
GOING DEEPER
snare without the snare itself in the mix. This may only hear the ‘air’ of the reverb with little
So far we’ve looked at the time-based aspects is not really the sort of thing you’d really do in or no body to it. When the LF cut is set down
of reverb - the time it takes for the reverb to an actual live sound scenario (except to create in the lower end of things (60Hz), there may be
kick in and how long the reverb trail lasts. Now a strange effect), but in this case, it will totally too much low end that could muddy things up
we get fancy and look at how frequency comes isolate the reverb and demonstrate how the and generate sonic energy that isn’t adding
into play. Here we’ll focus in on Low Frequency LF and HF cut controls can be your new best anything helpful to the mix. I found that around
Cut and High Frequency Cut. friends. 280Hz did a nice job of clearing out unwanted
low-end in my case.
The easiest way to get a sense of how these
146
Start off with the HF cut off or set really high
January 2020
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