system routing structure. An old, but reliable back-up recording on its own Pro Tools rig, six channels of audio required to make it all
PM-1D console sits at FOH. Its massive fader as well as production audio feed for the crew, happen. Stage manager Jeff Morris sets the
count and simple two-layer interface make and FOH delivering a safety back-up on twin three-dozen orchestra pit mics from Shure and
it possible for two engineers to mix at the SD card Tascam recorders, the sermon will be Audix, including new SCX-25A-MP piano mics,
same time with forty-eight channels per side. captured. plus a dozen KSM27 choir mics to be ready for
A second PM-1D resides in the FBA studio
music director Rodney Brooks who oversees
complex on-site. It is the interface and routing On the FBA side, media pastor Barry Edwards orchestra director Jeff Cranfield and his band of
for the full-blown Pro Tools system installed is in charge of the delicate balance between musicians. Up to twenty Shure Axient handheld
there and is ably manned by Samuel Rodriguez what happens in the church and what goes wireless mics with KSM9 capsules are available
and Joe Springfield. With the studio providing out to ITM. Audio director Mike Bell creates a for the worship team and vocal ensembles
primary recording, the truck responsible for patch sheet each week detailing the ninety- backed by the two hundred-voice choir. The
February 2019
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