Worship Musician February 2018 | Page 30

SOUND TECH [ HOW LOUD IS YOUR WORSHIP EXPERIENCE? | Kent Margraves ] The answer is perception based, and may not low frequency information into account, better But slow response metering often correlates be simple. It’s influenced by many factors. We relating to louder listening levels. Measuring best to human perception. can measure sound pressure, and it’s useful, SPL with music that includes lots of sub-bass but energy will measure much higher on the C Decibels in sound pressure level measurements scale than on A. dBs can be relative or absolute and are used in correlating that to human-perceived loudness can be confusing. Here’s some clarity on the topic. A bit of tech talk is necessary first, then some practical conclusions. acoustics, electronics, optics, and several other As illustrated, if listening to a midrange sound fields. Turning a vocal up 3dB is an example of of 1kHz at 70 decibels, we would need to turn a relative dB change. We don’t need to know FREQUENCY an 80 Hz bass tone up another 10dB to sound the actual level of the vocal before, or after, only Loudness is the subjective perception of sound equally loud, and an 8kHz high frequency sound that it changed by 3dB. Absolute dBs refer to pressure, and it’s influenced by the frequency up about 6dB to sound equally loud. While a known reference (0dB SPL), and must be content (and duration) of sounds. Our ears are these may sound about the same “loudness”, denoted with the suffix “SPL”. 0dB SPL is the definitely not flat! They’re quite nonlinear. We’re they measure 70dB SPL, 80dB SPL, and 76dB theoretical lowest human hearing threshold most sensitive to midrange frequencies and SPL. And again, this curve changes at different and sound pressure levels are measured in less sensitive to higher and lower frequencies. levels. Notice that at very loud levels (particularly decibels above that threshold. A face-to-face This is especially true at lower listening levels, 100, 110, and up) our ears are closer to flat conversation may be 60-70 dB SPL and a and become less true as volume increases. (the “loudness” button on some home stereos diesel truck might be 90dB SPL. Here’s a chart So, the tonal response of our hearing is rather compensates by boosting the lows and highs of some common SPLs: complex. Figure 1 is a well-known chart, going and is intended to be used at low listening back nearly a century, that demonstrates this levels). There are also less commonly used behavior by showing the required SPL (in weightings of B, C, D, and Z (which is essentially decibels) for different frequencies to sound flat, or no weighting). No weighting reference equally loud: implies an un-weighted measurement. Clearly, Fig 2 (Google images) the non-flat frequency response of our ears is a Fig. 1 (courtesy chegg.com) huge factor in measuring loudness. TIME Human hearing averages levels in very short durations. And live music is constantly changing in level, sometimes several times per second. A very loud but brief repetitive sound (such as a rock snare drum) may not sound as loud as a longer or sustained sound (keyboard pad or rhythm Any meaningful SPL measurement must guitar) even if it measures, briefly, denote: 1) the weighting curve, 2) the time at a much higher sound pressure constant, and 3) the reference level. The level. For this reason, meters statement “I mixed at 92dB” is simply Sound level meters use weighting curves to should have a time selection - at least a “fast” invalid (and not uncommon). It’s missing the compensate for this nonlinearity, allowing them and “slow” response option. Fast, Slow, and weighting (or implies no weighting), the time relate better to human hearing, usually with an Peak, are common modes. Do we want to factor, and the reference level (indicating a “A” or “C” mode switch. “A” weighting relates know the instantaneous level of the snare strike relative measurement, not absolute). Properly to rather low listening levels (largely ignores (a few milliseconds) or the average music level expressed, this might look like “92dBC SPL bass energy) and “C” weighting takes more sustained over a few seconds? Both are useful. Slow”. Stating only “92dB” and comparing that 30 February 2018 WorshipMusician.com