Worship Musician December 2019 | Page 27

on the show. are you a master instrumentalist, but also an award-winning songwriter, collaborator, artist, [WM] It’s fitting that Gretsch would honor you and vocalist. I’m amazed that you have now with the creation of your own signature guitar, added painting to your palate of talents. Your echoing your deep respect for and friendship watercolor work is beautiful. How did this all with the legendary Chet Atkins. How did come about? this guitar come about? Your Steve Wariner Signature Nashville Gentleman is not only Steve’s new signature Gretsch guitar model stunningly beautiful, but is also highly innovative in its design. Please tell us about it. [Steve] I brag on it and say that’s true. Two [Steve] That is so nice. I’ve been painting a long time. My Dad was a real talented guy. He meeting Fred Gretsch and him talking about did music, but also painted. He would doodle new model guitars. And I here I am years later and draw for us kids and he would do water doing it with Gretsch. color a little bit. I don’t think he got how talented years of designing it. Not exaggerating at all he was. He could do all kinds of stuff. I think about the time. My son Ryan helped design [WM] I would be hard-pressed to name I got a lot of that from him. All my brothers the guitar. The reason I wanted him involved is anyone as artistically gifted as you. Not only paint too, I have one brother, and he’s an artist, number one he is a tone master. That’s all he cares about. I wanted this guitar to be perfect for my style of playing. I’ll play the Chet Atkins thumb style on the neck pick-up, but then I wanted to switch to the bridge pick-up and play Duane Eddy or even more twangy stuff. Then I wanted my son, Ryan, who might play Led Zeppelin or Tom Petty stuff, I wanted it to be for him too. So, I said Ryan this guitar has got to be for both of us. His influence seeped into this guitar. And then we had Jeff Senn, who is a luthier in Nashville that makes brilliant guitars, he’s awesome. He knows more history on Fender and Gretsch then anyone I know. We would make a prototype and live with it. Then I’d go, “let’s do this”, and send it back. We did this for two years. We made three different prototypes. We made three different tops. We went so far as the color and everything. We were deep into this guitar. The versatility of it is off the charts I think. I’d go so far as to say I’m not sure Gretsch has a guitar this versatile. It really does a lot of stuff. I’m bragging a bit, but I’m really proud of it. Even as far as the 6120 body with the scale of the neck, for example Gretsch doesn’t make a guitar with that body with that neck, that’s kind of a new move. It’s got the mid-jumbo frets, more like a Les Paul fret. The young guys love that, they want the bigger frets. I’m tickled that they went with the True Ark bridge. That’s not even Gretsch, that’s outside. I thought they were going to shoot me down. Gretsch was wonderful, they went the extra mile. I remember being with Chet and December 2019 Subscribe for Free... 27