but it’s a 2016 Gold Tone, metal body, round to make it as natural sounding as possible, and At some point you just have to be satisfied with
neck resonator guitar. that's a hard thing to do. Whenever you’re using what's coming through, and I’ve been pretty
pickups on those two, the technology is still a happy with the sounds that I've gotten so far
[WM] For your mandolin and fiddle do you little bit behind than it is for something like an out of the violin and mandolin profiles that
have a standard stack of effects that you acoustic guitar. Acoustic guitars have so many we've created on the Kemper.
like? You're probably going to run it through more options. What I try to do with a mandolin some compression? and fiddle is simply to keep it sounding like the [WM] Do you have any effects for mandolin
What else is in your standard stack for the
EQ,
maybe
some
instrument that I’m playing. I'll run it through and
acoustic instruments? some EQ, and I’m always in the process of special effects?
fiddle
that
are
unusual,
weirder
fooling around with that. It’s a difficult thing to
[BJ] For mandolin and violin the goal is to try
70
get it to sound as natural as possible.
December 2018
[BJ] For some of the acoustic stuff I do. I have
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