Worship Musician August 2020 | Page 130

FRONT OF HOUSE THE NEXT | Kent Morris As we work toward the latter half of 2020, the temptation is to throw our hands up in exasperation as we struggle to lay out technical plans for the future. Do we ramp up gear purchases for large praise teams and orchestras? Do we devise methods to put on our traditional Christmas program in the time of a pandemic? Questions like these keep us up at night and frustrate our ability to be ready for the future. However, instead of starting with what we don’t know, which is a lot, let’s begin with what we do know, which is significant, in order to develop a viable plan. We know “normal” is not on the near horizon, meaning we need to codify our livestream methods and steps now since they will be part of any event we host the rest of this year. The first move is to note what has worked and make it integral to the plan. For instance, assigning someone to monitor the stream on-site in realtime is the surest way to know what you are sending out is what is being delivered. It’s not enough to monitor the uplink as many pitfalls occur between the up and down. Next, codify the process of setting the stage for livestreaming to make it easy for anyone to follow. A list of steps, such as “clear water bottles and sheet music from platform 15 minutes before service begins” is a simple way to ensure the program goes as planned. It’s also a good thought to verify each piece of equipment is functioning as intended and is set to the right mode. So often, ubiquitous Black Magic ATEM units are on and running, but somehow have been set to the wrong mode after rehearsal, making it imperative to check and recheck the settings before the service begins. We also know any return to live congregation participation will be short on people and long on procedure. By this point, most speaking pastors and worship leaders have learned to function without the immediate response and feedback of a live audience. Encourage leaders to maintain this mindset as people begin the journey back to church because the number allowed at any one time will be reduced 60- 80% and may be rescinded entirely if renewed health concerns arise. Additionally, we know the mid-term future will be balanced between live and livestream. It is highly unlikely the church will return to a live-centric model since people have grown accustomed to attending remotely and the online reach potential exponentially exceeds even the largest capacity sanctuary. As a result, video and audio will need to mixed separately for in-room and online attendees. Video for remote must use establishment shots unnecessary for those present in the space. Likewise, audio for livestream requires more artificial ambience and a different tonal balance than what those in the room need to hear. Thus, additional engineers and, if possible, a separate mix environment will be essential. Finally, we know “church” as many of us have experienced it over the past twenty years, has been an anomaly. Generally speaking, church services have, for two thousand years, been largely gatherings of a few to a few hundred, not several thousand in one place. The entire concept and process we have developed focused on large-scale AVL may never return to a position of primacy. We must, therefore, be ready to adapt once again to the norm of small settings. Livestreaming, at its core, is a studio experience and, with a reduced live audience, replaces grandeur and power with intimacy and focus. So, while we may not need to purchase a digital console with 96 inputs, we may want to research the best quality 32 input desk with features designed to engage those online. And know this: whatever happens, God saw it coming, orchestrated it to His will and will equip us to handle it. Kent Morris Kent is a 40-year veteran of the AVL arena driven by passion for excellence tempered by the knowledge digital is a temporary state. 130 August 2020 Subscribe for Free...