World Monitor Magazine WM_5 | Page 77

Our contemporary post-industrial informa- tion society –characterised more than any- thing else by the fact that the service sector of the economy generates more wealth than the manufacturing sector- has obviously reached its limits. One symptom of this massive social shift is increased urbanisa- tion, which is inherently accompanied by a decrease in and ageing of the population in rural areas. Christophoros Doulgeris was born in Serres in northern Greece in 1975. Located in Central Macedonia, Serres is the capital of a largely agricultural district, with a focus on tobacco, grain and livestock. Since the late 20th century, it has also become a centre for the production of textiles and other manu- factured goods. As a child, Doulgeris then moved with his family to the German city of Essen. The Northern European society he encountered during his youth in Essen was in the midst of a painful paradigmatic shift from a largely industrial (primarily coal and steel) to a service-based society and economy. Among his ‘heroes’ at the time were a number of representatives of the so-called Düsseldorf School of Photography, students of the conceptually-based photog- rapher couple Bernd and Hilla Becher, who, already in the early 1960s, set out to make an encyclopaedic photographic documenta- tion of the rapidly disappearing monuments to the region’s industrial culture. It is thus no coincidence that Doulgeris would later study Sociology at the University of Crete and then Photography at the Camberwell College of Arts in London, thus setting the tone for his future career as a socially engaged photo artist. Christophoros Doulgeris sought to document this seemingly unstoppable trend and its effects on the rural population of his home country of Greece. The shift from an agricul- turally and industrially based economy to a post-industrial service society, compounded by the outbreak of the global economic crisis in 2008, has left its mark on numerous levels. The fact that Christophoros Doulgeris is indeed an artist –and not merely a photog- rapher with a background in sociology- is supported by EUROBAK 75