Women in Art 278 Magazine January 2018 | Page 11

a m e rican artist Christina Klein Painting and Sculpting Dad’s Favorite Wallpaper Acrylic on Wood Panel, 182cm x 365cm There is a sense of nostalgia that comes with rural living. Stories of the good old days are commonplace, with a deep sense of longing to make life the same as it once was. But as time passes and the stories are told and retold, they themselves get warped and the memories become fragmented. The central figure in this painting is my father, who often tells stories about his childhood. For this painting I wanted to depict the unraveling of a story and how those tales change over time. The top portion of the painting was based on one of my previous wood installations. I recorded interviews with my mom, aunt, and grandparents describing an F5 tornado that struck their home. From there, I used my idea of what that experience might have felt like and suspended wood from the ceiling of my studio, which later became the model for this painting as well. Postmortem Wood Sculpture 365cm x 365 cm x 243 ART pag e 11 Close examination of the body after death was the idea that launched this project. I collected wood from shipping crates and construction sites that was discarded after it’s one time use. New wood was also utilized, though it can be hard to distinguish between which pieces are new and which have a history because of the short-term use of the discarded wood. I also implemented window frames from an abandoned home and installed mirrors on the floor to disorient the viewer. Parts of the sculpture are suspended with electrical wire from discarded cell phone chargers.