of dazzling reflective vertically
vibrating lines that cut through the
tint of the water like a sharp knife
through butter. Adams likes to
integrate a bit of art history in her
work where it’s useful. She often
pays homage to impressionists
like Monet connected at the hip
with contemporary sensibilities
and a flare for vibrant, almost
unnatural color. Her painted
compositions that are also
inspired from the Everglades
often center on a single sculptural
form of a tropical bird, perhaps
standing on one leg surrounded
by a robust textural surface of
stencil like repeat patterns.”
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