Wishesh magazine january 2018 Wishesh magazine january 2018 | Page 27
being suppressed due to
laws enforced by the colonial
British government, many
artists like American dancer
Esther Sherman came from
the West to learn Indian
classical dance forms. She
came to India in 1930 and not
only learnt classical dances
but also adopted the name
Ragini Devi and became a
part of the ancient dance arts
revival movement. As the
Indian freedom movement
progressed steadily during
the early 20th century, an
effort to revive Indian culture
and tradition seethed with
excitement among Indians.
Eminent Bharatanatyam
dancers like Arundale and
Balasaraswati expanded
the dance form out of Hindu
temples and established
it as a mainstream dance
form. Later the Tamil Hindu
migrants revived this Hindu
temple dancing custom in
British Tamil temples during
the late 20th century. Today
this ancient classical dance
form also includes technical
performances as also non-
religious and fusion based
themes.
Repertoire
The repertoire of this
performance art are
categorized into three brackets
namely ‘Nritta’, ‘Nritya’ and
‘Natya’ mentioned in ‘Natya
Shastra’ and followed by
all major Indian classical
dance forms. ‘Nritta’ is a
technical performance where
the dancer presents pure
Bharata Natyam movements
emphasising on speed, form,
pattern, range and rhythmic
aspects without any form of
enactment or interpretive
aspect. In ‘Nritya’ the dancer
communicates a story,
spiritual themes, message or
feelings through expressive
gestures and slower body
movements harmonised with
musical notes. ‘Natyam’ is
usually performed by a group
or in some cases by a solo
dancer who maintains certain
body movements for certain
characters of the play which
is communicated through
dance-acting. The dance
form typically comprises of
certain sections performed in
sequence namely Alarippu,
Jatiswaram, Shabdam,
Varnam, Padam and Thillana.
Costumes
The style of dressing of a
Bharatanatyam dancer is
more or less similar to that
of a Tamil Hindu bride. She
wears a gorgeous tailor-made
sari that consists of a cloth
specially stitched in pleats that
falls in the front from the waist
and when the dancer performs
spectacular footwork that
include stretching or bending
her knees, the cloth widens up
like a hand fan. The sari worn
in a special manner is well
complimented with traditional
jewellery that include the ones
that adorn her head, nose,
JANUARY 2018 | WWW.WISHESH.COM