Wishesh magazine january 2018 Wishesh magazine january 2018 | Page 24
INDIAN DIASPORA TRADITION
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epics of Tamil Literature,
‘Silappatikaram’ (~2nd century
CE) has a direct reference to
this dance form. The Shiva
temple of Kanchipuram that is
decorated with carvings dating
back to a period between 6th
to 9th centuries CE manifests
the development of this
dance form by around the
mid first millennium CE. Many
ancient Hindu temples are
embellished with sculptures of
Lord Shiva in Bharatanatyam
dance poses. The eastern
gopuram of the 12th century
Thillai Natarajar Temple,
Chidambaram, of Tamil Nadu
dedicated to Lord Shiva
bears sculptures depicting
108 poses of Bharatanatyam,
referred as karanas in ‘Natya
Shastra’, that are intricately
carved in small rectangular
panels. Another notable
sculpture can be seen in the
Cave 1 of Karnataka’s Badami
cave temples dating back
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to the 7th century where a
5 feet tall sculpture of Lord
Shiva is depicted as Nataraja
doing Tandava dance. The 18
arms of the Shiva sculpture
expresses mudras or hand
gestures that are part of
Bharatanatyam.
Association with
Devadasi Culture
Originating in Hindu temples
of Tamil Nadu and nearby
regions, Bharatanatyam soon
prospered in other South
Indian temples. According to
some sources the Devadasi
culture dating back to 300
BCE to 300 CE evolved
under the auspices of the
royals that saw the temple
dancers called Devadasis,
who were dedicated to serve
the Lord as dasis or servants,
performing the dance form.
Eventually the Devadasi
culture became an integral
part of rituals in South Indian
temples. Although ancient
texts and sculptures indicate
existence of such culture and
presence of dancing girls as
also exclusive quarters for
women in temple compound,
there is no concrete evidence
either archaeological or text-
based that can manifest the
Devadasis as prostitutes or
courtesans as accused by
some colonial Indologists.
After analysing evidences,
Davesh Soneji, a historian
on performance arts and an
expert on Bharatanatyam,
concluded that courtesan
dancing phenomenon
commenced during the
Nayaka period of Tamil Nadu
sometime around late 16th or
17th century.
Opposition & Ban
During Colonial Rule
The 18th century saw
emergence of rule of the East
India Company followed by