Wishesh magazine january 2018 Wishesh magazine january 2018 | Page 24

INDIAN DIASPORA TRADITION 24 epics of Tamil Literature, ‘Silappatikaram’ (~2nd century CE) has a direct reference to this dance form. The Shiva temple of Kanchipuram that is decorated with carvings dating back to a period between 6th to 9th centuries CE manifests the development of this dance form by around the mid first millennium CE. Many ancient Hindu temples are embellished with sculptures of Lord Shiva in Bharatanatyam dance poses. The eastern gopuram of the 12th century Thillai Natarajar Temple, Chidambaram, of Tamil Nadu dedicated to Lord Shiva bears sculptures depicting 108 poses of Bharatanatyam, referred as karanas in ‘Natya Shastra’, that are intricately carved in small rectangular panels. Another notable sculpture can be seen in the Cave 1 of Karnataka’s Badami cave temples dating back WWW.WISHESH.COM | JANUARY 2018 to the 7th century where a 5 feet tall sculpture of Lord Shiva is depicted as Nataraja doing Tandava dance. The 18 arms of the Shiva sculpture expresses mudras or hand gestures that are part of Bharatanatyam. Association with Devadasi Culture Originating in Hindu temples of Tamil Nadu and nearby regions, Bharatanatyam soon prospered in other South Indian temples. According to some sources the Devadasi culture dating back to 300 BCE to 300 CE evolved under the auspices of the royals that saw the temple dancers called Devadasis, who were dedicated to serve the Lord as dasis or servants, performing the dance form. Eventually the Devadasi culture became an integral part of rituals in South Indian temples. Although ancient texts and sculptures indicate existence of such culture and presence of dancing girls as also exclusive quarters for women in temple compound, there is no concrete evidence either archaeological or text- based that can manifest the Devadasis as prostitutes or courtesans as accused by some colonial Indologists. After analysing evidences, Davesh Soneji, a historian on performance arts and an expert on Bharatanatyam, concluded that courtesan dancing phenomenon commenced during the Nayaka period of Tamil Nadu sometime around late 16th or 17th century. Opposition & Ban During Colonial Rule The 18th century saw emergence of rule of the East India Company followed by