Winter Garden Magazine June 2015 | Page 27

demand- to buy good design because we as a culture do not understand what good design is.  You may be bursting with patriotism, but we’d be willing to bet that at some point you have been seduced by European-style clothing, décor, furnishings, food and even advertising. Why? Partially, because of the clean lines and unique aesthetic, but also, to a large extent, the prestige factor. Let’s face it, to Americans; European stuff seems ultra sophisticated and James Bond-ian. Things were not always this way: During the early part of the 20th century, there was nothing cooler to down-trodden, war ravaged Britons and Europeans than Hershey bars, Doublemint gum, American cigarettes, American movies and American money. We have to keep in mind; European nations spent roughly 80 years trying to overcome the desperation of two World Wars and the Soviet occupation of a huge section of what is now the European Union. America was an idealized source of freedom and enormous opportunity; where else could someone armed with only an accent and determination acquire unimaginable wealth and power? As the 20th century drew to a close however, the United States lost a bit of its luster. American power began to appear unseemly. Europeans became snottier and American foreign policies were less and less appreciated. Of course, by then it was too late; American stuff was there to stay. However much we may try to divorce ourselves from the influence of different cultures for the purpose of national pride, the split will never be completely clean. While American representation is all muscle and flesh — John Wayne, Clark Gable, Marilyn Monroe, Ford Mustangs – Europe tends to appreciate suavity. A man in a well cut black suit driving a small, sleek leather-interior convertible: completely European. A man in a t-shirt and jeans driving a ’68 Chevy and ridiculing the small, sleek convertible: completely American. Of course, even though we may scoff at the fancy-pants, Cigarette-smoking Europeans lets be honest, we’re jealous of them. So, even though Europe may look at American design and style as unenlightened and childish, what Europeans fail to recognize is the fact that America has so completely permeated their own culture that they can’t even see it anymore .It seems as though Europe covets American style, gadgets and culture in spite of itself, while Americans covet European stuff because it makes us seem sophisticated and, more importantly, rich. What have we learned? The impression of a culture can be far more important – image wise – than actual authenticity. As Americans we have to start looking within for captivating examples of good design that are applicable for Americans and further define a new category of great design: American Design.  If we can continue to highlight design in America that is specifically designed for Americans, and made by Americans we as a society will become more educated, will demand better design, and eventually, great design will become mainstream in our day to day lives. JUNE 2015  |  WINTER GARDEN MAGAZINE   |  27