WindsurfingUK Issue 8 September 2018 | Page 55

55 Surfing, and associated watersports (note: Greg features SUP in his second book The Desert Run) are perceived to be ‘sunny’ pastimes. What’s the recipe for melding noir and something more about sand, sea and tropical backdrops? I think that idea of these sports being sunny is part of the mainstream media’s overly narrow way of portraying any sport that isn’t mainstream. Surfers are represented as kinda stupid (the blond, dumb stereotype), or adrenalin junky big wave dudes, or pseudo-spiritual. They’re almost never shown as normal people. But the reality of these sports is quite different, as we all know from doing them. You get a much wider range of characters and personalities taking part. So I just try to reflect that. In a way I have ordinary people, some of whom happen to be surfers, and some of whom happen to be killers, in the way that some people in mystery/ suspense books are. It was never a particularly deliberate move either. Because I’ve done these sports my whole life when I sit down to write, that’s what comes out… An accomplished windsurfer in your own right are we likely to see sail powered craft crop up in any of your works? I’d like to try it one day. But I do think windsurfing is a hard subject to write a mainstream novel about for the reasons above. The public perception of our sport is even more removed from the reality than with surfing. It gives you a real problem. If you write it to fit the media image, it would feel completely wrong to windsurfers, if you wrote to fit the reality, it’s going to seem odd to non-windsurfing readers (and they’re by far the majority!). But if the right idea comes along I’d definitely like to give it a go. I think the best novels are where you feel you’re learning something, or getting a window into a new world as you read, and a window into windsurfing could be really interesting. It’s just hard to do well. Describing surfing, windsurfing and SUP in a non-cheesy way is hard indeed – especially when aiming your writing at non- water going types, yet you seemed to have nailed it. Any secrets to this success? Thank you! Like I said my first attempt at a novel was mostly surf scenes, so I guess I had a bit of practice there! I think what I learnt was it’s important in any ‘action’ scene to have some element of the story playing out, alongside the literal description of whatever is going on. So for example, in the main surf scene in ‘The Wave’, the protagonist goes into the water at this new, secret break he and his friends have discovered, and he’s scared because they’re the biggest waves he’s ever faced. But he’s also distracted because he’s full of hatred for his best friend, who has been sleeping with the girl he liked. This distraction nearly gets him drowned, but he overcomes that, and starts catching the best waves he’s ever ridden – and his friend does too – and they both realise that their friendship is more important than any girl. Actually that does sound pretty cheesy the way I’ve just put it, but hopefully it shows how the surf scene isn’t just there for filling – it’s part of the story, it moves things along. By your own admission it took a while to knock your first book out yet you seem to be storming ahead now. How hard is to keep coming up with something fresh? Ever struggle for inspiration? I’ve wanted to write books for as long as I can remember, so I guess that first one took 42 years! But yes, once the first is out of the way it definitely gets easier. You learn the tricks to speed things up. There’s no struggle for inspiration as yet, but I do have to choose the ideas carefully. It takes me at least six months to write a book, so I need an idea that’s going to sustain my interest for that time, and get me through the inevitable and painful rewriting stage. Do you have plans for further novels already in the bag? If so, how many plot lines do you have firmed up? Well I have a new one coming out this summer called ‘The Girl on the Burning Boat’. I don’t have a plan yet for what to write after that. I prefer to focus on the current project until it’s finished. If I allow myself to think too much about what’s next, there’s a danger of that taking over and the current work never gets finished! It’ll definitely have many of the same themes though – the coast or the oceans, adventure. That’s what I like to read, and therefore what I like to write. Think you can become the next Kem Nunn (note: Kem Nunn is a Californian author of dark surf fiction as well as countless TV/movie screenplays including Miami Vice and Kathryn Bigelow’s original Point Break)? Don’t tell anyone, but that’s the dream! Any plans to get your stories visualised and turned into motion pictures? That would be awesome too. Do you get many Hollywood producers reading this? If so my email is [email protected]. I’m open to pretty much any offer except Harvey Weinstein. For many years you worked as staff writer for Boards Magazine. Ever miss those days of test trips and creating entertaining articles with your own unique twist? When I worked for Boards I spent two to three months abroad every year on the test trips, and outside of that I could sail whenever it was windy because it was work. Now I’m older with a young family, it’s hard to put in words just how much I miss that! I guess you just have to try to enjoy each stage of your life as you live it. Or try to. uk WIND SURFIN G SURFING