WindsurfingUK issue 10 March 2019 | 页面 88

88INTERVIEWRICHARD ATTREE However, I’d like to think ‘Too Close to the Wind’ also has cross-over, mainstream appeal and that my windsurfing readers will share it with their non-‘windie’ friends. If they do, then perhaps their friends might understand our obsession with surfing the wind and waves. Word-of-mouth and personal recommendations are the best way for an author to build a readership, so of course I’m also hoping that another reason to recommend my novel to a non-windsurfing reader is that it’s simply a good read. If you want people to actually read what you write, you have to connect with them. I have the luxury of writing for love, rather than for money. It's hard to convey windsurfing in words – especially to non-sailors. How have you approached this? Actually the windsurfing passages were some of the easiest to write. Whenever I'm on the water I find words, images and ideas floating around my brain. So all I had to do was imagine myself windsurfing and the words flowed. A big plus was imagining being able to windsurf as well as my narrator, Nick, who’s something of a hotshot. So although I don’t loop, or sail massive waves like he does, it was a lot of fun doing these things vicariously, through his eyes. I don’t know how well I’ve succeeded in conveying the windsurfing experience to non-sailors (perhaps they’ll tell me in their reviews)… I just tried my best to make it vivid and real. How long did the book take to complete? Well, as I say, I’ve had a long time to think about this book. Arguably, it’s been ratting around my brain for 50 years – ever since I was 15! I began actually writing the first draft in October 2016 and finished it a year later. But re-writing, editing, formatting, cover design, setting up the marketing etc took a further year before I was ready to publish it. And what about marketing? Is this proving trick or easy? I’ve never really enjoyed marketing (it’s one reason I got fed up with being a freelance media composer), but I realise it’s a necessary part of being a writer. If you want people to actually read what you write, you have to connect with them. I have the luxury of writing for love, rather than for money. I’m not aiming to be a best selling commercially successful author, but I would like as many readers as possible to enjoy my books. uk WIND SURFING