Where ART Lives Magazine Volume 1 Number 4 | Page 58

Out Side The House Artist Eric Joyner enjoyed a rather uneventful childhood in the rather unremarkable town of San Mateo, California in the 1970s. Like many kids of that time, he enjoyed reading comics, playing sports, and making gunpowder … wait. Gunpowder? Oh, that’s right. This is the 1970s we’re talking about. Kids were doing all sorts of dangerous things back then, and nobody ever blinked an eye. Joyner’s mother was a Methodist who would bribe her young son with donuts to go to Sunday school. His father, an atheist, said mean stuff about Jesus behind his wife’s back. Despite their differences of opinion on God, the Joyner’s built a loving home for their children and nobody grew up to be too weird. At some point in his very young life, someone took Joyner to view an exhibition of Van Gogh’s paintings at the De Young museum in San Francisco. This experience greatly impressed the child, and he soon began taking painting lessons with his older sister. By the time he was in the first grade, classmates and teachers started to notice the compelling work he was creating, and the life of an artist began to take its shape. After high school, Joyner attended the Academy of Art in San Francisco. Later, under the influential teaching of Francis Livingston, Kazuhiko Sano, Bill Sanchez, and Robert Hunt, his work greatly improved and he began to work professionally as an artist. For the next decade, Joyner was a hired-gun for various publishers, high-tech companies, and advertising agencies; he also was a digital animator and provided other artistic services for a variety of companies before rediscovering his original love of drawing and painting and returning to that medium. 58 https://ericjoyner.com