What's REALLY Going ON Volume 1, Issue #5 | Page 18

“SHOUT IT OUT” By Corrine Montorfani Invincible is a R&Blues album divided between classicism and technology, a journey that aim to explore Michael Jackson world from its origins (brilliant performer of rhythmic and melodic ballads who changed forever the history of pop) and what was the current status (artist able to adjust himself to the times using modern technologies to please the new generation, with electronic and futuristic sounds). Unfortunately due to all the troubles and tribulations mentioned above, this experiment resulted 50% successful . voice is wonderful but the songs too long are one of the major flaws of the album. Any MJ expert listening to this album get the feeling to be in luxury car that fails to start: there is technology, there are millions of dollars (surely much less that media & Sony said) there are plenty of special guests including Carlos Santana co-starring the beautiful "Whatever Happens" and the late Notorious Big in "Unbreakable" (not an MJ idea but imposed by someone else!), but he is missing .... Michael Jackson is missing! In my opinion the other flaws of this album are largely due to Michael collaborators.. Quincy Jones genius times are a distant memory. This record was by Rodney Jerkins who worked with Britney Spears and Destiny's child, and the songs were composed by six hands! An absurd for an album of the Greatest Pop Artist of the Century! Michael the composer is missing if not for a couple of pearls written entirely by him, "Speechless" (one of the high points of his career, the final “a cappella” introduction has been compared to John Lennon"Image") and the sad but beautiful "The Lost Children". However 2 songs are not enough to revive an album too mechanical and soulless, Michael really had wrong team on this! In Invincible we have a very good performer but his charisma, style, the emotions he always transmitted in his other albums, his genius...are no there! What you can feel while listening is "method, and professionalism" as if Jackson had been forced to make this album ( and we know is true). The first goal of this work was to please the new generation, and despite the electronic components of Jerkins it ‘s not convincing. MJ 18