CONTROVERSY

Shaft Moropane

�� work, according to Henk Pretorius, producer of the Bakgat series, because of“ our understanding of this �� not overestimating their spending power”. The factor that separates consistently successful local product and NFVF product is that Hartiwood, Bubblegum and Vendawood �� international recognition to make their money back.

�� that are nontriumphalist, that are, essentially, stories that could happen to your neighbour. Within ��

�� in Umlazi, which are headed up by Shaft Moropane, director of a Mzansi Magic feature, as well as two �� report, the Gauteng Film Commission is also in the ��

One of the reasons enmity is directed toward the NFVF is that for so long it has been the only game in town. But now the game is changing. And rightly so. As Mkosi said in a statement related to the Deloitte report:“ We believe that, in order to unlock �� sector coming on board and investing in the industry.”

Indications are that this is starting to happen,

with service companies like Moonlighting turning to �� as its recent release Retribution, and projects from �� NFVF funded), and fast rising talent Oliver Hermanus.

What the NFVF does in many instances is vital to the �� time to assess the effectiveness of Sediba and its ability to give“ support in the pursuit of freedom of expression”.

�� damn scared of who we are. We all gotta throw the TV out the window and cry and love and hurt. If we aren’ t willing ��

As globalisation advances, the Australian, South Korean, Mexican and Nigerian lessons bear out that one route to success is to focus on regional uniqueness, and to deliver this to an audience that has a desire to see themselves, at a price they can afford. The �� indicate that cinema in South Africa is not a hostage, tied up in a boot, waiting to be rescued, after all.

�� to some degree, follow Hollywood conventions, because it is what they have grown up on. But they will do so in their own way, because the one thing the NFVF may have failed to grasp, and what other �� is that the economically and critically successful �� love provides authenticity. And there is no quicker �� .

Roger Young was once removed from his NFVF development project about survivor’ s guilt associated with the Westdene Dam bus crash for refusing to insert a car chase, an Afrikaner villain, an interracial love story and a role for Charlize Theron.

WGSA MAG Issue 14 (June 2013) | Page 32

ORIGINAL Publisher 32 | WGSA MAG June 2013