West Virginia Executive Winter 2020 | Page 141

feature films receive limited theater re- leases: “Finding Faith” and “Virtuous.” “Each of our films is designed to chal- lenge the audience,” he says. “It must answer the question ‘How can this film make a difference to someone who watches it?’ That is a very important part of our ministry—connecting people of faith with our films in an attempt to change the culture.” Highlighting the Mountain State Of his 20 films, 12 have been shot par- tially or entirely in West Virginia. “We shoot in West Virginia for three reasons,” says Campbell. “First, the avail- able resources provided in West Virginia for filmmaking are amazing, from the kindness of each community to the avail- able locations to the awe and spectacular beauty of the state. Second, the Moun- tain State is not only loaded with amazing and talented actors and actresses but also qualified and creative filmmakers. Lastly, my family and I live in Morgantown.” Through his films, Campbell aspires to bring more people to West Virginia and hopes they appreciate the state as much as he does. His efforts are paying off. Last year, while shooting a Dean Cain film in Bridgeport, a law enforcement organiza- tion from Florida with whom he would be working on a future project traveled to the Mountain State to meet Cain and observe the filmmaking process. “We were scheduled to shoot their film on the dangers of texting and driving in Florida in the spring of 2020,” says Campbell. “After visiting the set, meet- ing the people here and spending four days in West Virginia, they insisted on changing the shooting location to here.” Bringing people to West Virginia to experience the unique culture and meet the friendly people is just one way Campbell is changing the narrative for the state. By using West Virginia as the film location, he is helping expose the state’s beauty to people around the world. “Megan’s Christmas Miracle,” a Christmas movie, was shot in Beckley and Bridgeport, and to date more than 1 million people have watched the film. “We highlight West Virginia in all our films if the story allows,” he says. “In ad- dition, each of our films are represented internationally and are each translated into multiple languages, which provides enormous exposure to West Virginia.” Creating Opportunities for Youth When JCFilms shoots in West Virginia, the company wants to create more oppor- tunities for young people to get involved in the industry. “Teens who are interest- ed in filmmaking may never make it out to Hollywood, but they can get engaged in what we are doing,” says Campbell. When making a film, JCFilms usually has more than 100 people involved. “One thing I love about the process of filmmaking in West Virginia is the par- ticipation of the people here,” he says. “Making an opportunity for people to get involved in a feature film is part of our mission.” This past summer, JCFilms shot “The Zombie Club,” an anti-bullying film for teenagers, with Cain, and there were more than 200 teens from all over the state of West Virginia who were involved in the process. The film is now part of an anti- bullying program through which the movie has been shown in more than 30 schools around the country. “Bullying is a huge problem, and this film is just one example of how we are involving teens and challenging them to make a difference,” says Campbell. The Future of Film Looking to the future, Campbell is aiming to create more chances for aspir- ing filmmakers in the Mountain State to exhibit their talents. “We need to encourage more filmmaking opportunities here,” he says. “No matter what the production budget is, we need to encourage more filmmaking, more theater and more music opportunities for our young people.” Campbell also has a dream to make West Virginia the go-to location for film- ing faith and family films over the next few years. “To me, nothing echoes faith and family more than the many commu- nities represented here in the Mountain State,” he says. In 2020, he plans to produce six new films in his adopted state. “Unfortunately, the majority of feature films produced in West Virginia are negative,” he says. “The Mountain State is home for me and it’s where I’m raising a family, so you can bet I am going to do everything I can to rewrite the narrative and eliminate unwarranted stereo­t ypes about this state. One way I can do that is by making more uplifting, positive and inspiring films depicting the beauty and goodness of West Virginia.”  WWW.WVEXECUTIVE.COM WINTER 2020 91