Wellington College Yearbook 2010/2011 | Page 60

the wellington college year book 2010/2011 the wellington college year book 2010/2011 and screening films they had made. The Master’s Lodge provided the perfect venue to showcase the talents of our talented brethren. A resounding success ! The Spring season arts programme was no less action packed with the new ‘KickArts’ Fringe, organised by Hannah Gomersall and a new look Arts diary designed by the talented Mike Churchill, our designer in residence. The Fringe was predominantly pupil led and ranged from impromptu busking to Scottish country dancing. It was great to see so much 60 ‘Oliver !’, a collaboration betweenWellington College and Wellington Academy, saw both schools join forces in this truly unique venture which ran over four nights: two at the College and two at the Academy. No one could fail to be moved by the performances of all pupils, who worked so well together. The Artful Dodger: Will Kirk [Hl] Oliver: Alex Coveney (Wellington Academy) involvement by pupils in making the v&a the lively hub Wellington always envisaged. We had momentum and now that the days were getting longer, we felt that now was the time to make a bold statement about arts being pivotal to the life of our school. Visual art continues to go from strength to strength and no more was this exemplified with the wonderful Art Scholars exhibition in the v&a. There are many great things about this annual exhibition; one of them being listening to pupils talk about their work in front of assembled parents, teachers and friends; another is having every year group represented in the show. We are lucky to have such an erudite, talented group of pupils. The ‘College Collage’ saw the whole school getting involved in a huge collage of photographs taken by individual pupils and staff. Lining the back wall of the v&a, this formidable artwork was the brainchild of Claudia Poulter, Florence Whitaker and Clare Doggart. It was great to see this ambitious project grow day by day and was such a good way to democratise the creative process by using any available technology to take photographs, whether iPhone, Blackberry or slr. Grayson Perry ra arrived like a whirlwind in February when he spoke to a packed Theatre about his work. This Turner Prize winning artist held forth on a whole range of subjects including his inspiration, working methods and winning the Turner Prize. Grayson was sincere, funny and gave everyone an insight into the life of an artist. The Master’s Lecture culminated in a question and answer session and book signing. Music continued its upward trajectory with the most extraordinary range of concerts and master classes. The talented College organist Sean Farrell directed the truly breathtaking Illuminare: Bach and the Dance of Death, which demonstrated the most incredible synergy between art, music and dance. Taking place in College Chapel, this was a truly moving experience. Based on the New Testament story of Simeon and Bach’s Cantata BWV 82a — Ich Habe Genug, the final performance was a culmination of an afternoon’s workshop. The bar has been raised for future collaborations in the arts. The Chapel Choir performed a range of exquisite choral pieces at King’s College Chapel in London, including a splendid performance of Mozart’s Spatzenmesse. The House Singing Competition was, as usual, a really incredible whole school event. With a spoilt for choice 1980’s theme and strong performances from all seventeen houses, any one could have been a winner. However, it was The Apsley that proved the unanimous choice of our judges with a really accomplished version of Toto’s Africa, replete with complex, ambitious harmonies and rhythmic dance movements. A hit ! Astonishing a capella group ‘Out of the Blue’ played a sell out concert and one can see 61