Wellington College Yearbook 2008/2009 | Page 44

44 ? ? ? ? ? ?? ? ?? ? ? ? ? ? ?? ? ? ? ?? ? ? ? ? ? 45 ? ? ? ? ? ?? ? ?? ? ? ? ? ? ?? ? ? ? ?? ? ? ? ? ? ‘Self Portraits’ by Elysia Byrd [Ap] in Art and Design where Places are at a premium. Vicky noticeable this year in the Art School. Marcus has been organised the Fashion Show with Tali Carling [Ap] dur- an inspiration and is fully deserving of his place to study ing the summer term which was an overwhelming success, on the art and design Foundation course at Camberwell which leads me seamlessly on to Tali herself—a hugely College of Art. gifted and talented pupil who was offered a place to study In Art Textiles, Poppy Wilcox [Ap] produced amaz- at the Parsons School of Design in New York; a rare and ing work this year. A combination of natural flair and 100% extraordinary achievement. Ben McCabe [Pn] was a stalwart of the Art School this year and put heart and soul into everything he produced. His work in clay was a revelation; initially inspired by visits to Kew Gardens where he studied the work of Henry Moore and the Barbara Hepworth Museum in St Ives, Cornwall. He will flourish determination resulted in work that “He used every conceivable material available in the Art School and mixed music with film, painting, installation and every technique imaginable to set the dynamic tone that has been so noticeable this year in the Art School.” has never been less than breathtaking ! Her penchant for figure drawing formed the backbone of some truly remarkable work which is both fashion and fine art oriented. Finally, if ever a pupil’s work summed up what we are trying to achieve in the Art School, that pupil is Elysia Byrd [Ap]. Achieving Arts Colours with at Manchester University where he goes on to study the History of Art. Probably the most prolific artist of this level already. She has reviewed, modified and refined her year’s Upper Sixth cohort, Marcus Aitken [Pn], really work to an incredibly high degree and, as one pupil re- pushed his work as far as it could go this year. He used cently said, “Without Elysia, pupils would not be operating every conceivable material available in the Art School and at the high level they are and producing work of such a mixed music with film, painting, installation and every tech- high standard”. She has also engendered the ‘why do just nique imaginable to set the dynamic tone that has been so AS Level Art Textiles by Alice Rutherford-Jones [C] Distinction her work could, push to shove, be at degree one painting when you can produce several’ ethos which