We the Italians October 19, 2015 - 70 | Page 54

th # 70 • OCTOBER 19 , 2015 read more about #Italian Handcrafts ITALIAN HANDCRAFTS: Sicilian Puppets By Camera di Commercio di Catania with Unioncamere The Sicilian Puppet Theatre (Opra) is a characteristic theatre performance where the puppets, animated by “puppeteers”, represent the exploits of the greatest medieval heroes who fought for Christendom against the Saracens. In particular, the most recurrent theme in the Opra was the clash between the paladins of Charlemagne and the Muslim warriors who occupied the Iberian Peninsula, representing a real threat to the Frankish kingdom and the whole of Christian Europe. According to historical tradition, puppet theatre on the subject of chivalry was already known in Spain in 1500s, was introduced to France in the seventeenth century and spread to Italy (Sicily) from the city 54 | WE THE ITALIANS www.wetheitalians.com of Naples in the early decades of the 19th century. On the island it quickly acquired specific characteristics that made the Opera dei Pupi stand out from the generic art of puppetry. The Sicilian puppets were in fact covered with elaborate metal armour and the right hand wire director was replaced by an iron rod, more suitable for making the puppets' movements direct and precise, especially during fights and duels. Even the moral issues proposed during the shows, always based on a high sense of justice and respect for freedom, were a hallmark of the Opera dei Pupi, which was well in tune with the mood of the Sicilians and thus enjoyed great popularity. As has often happened in the history and culture of Sicily, the Opera dei Pupi had its centres of interest in the two major cities of the island, where two important theatrical traditions, those of Palermo and Catania, can be distinguished.In both cities, experienced puppeteers taking short stories of predominantly oral tradition as a base, ingeniously adapted and personalised them, proposing plots taken from ancient chivalric literature, in which the Carolingian cycle had a predominant role with the History of the Paladins of France. The show, which lasted about two hours in three acts, relived the loves and the deeds of kings, heroic Christian champions,