We the Italians November 21, 2016 - 85 | Page 22

st st # 85 NOVEMBER 21 , 2016 # 85 November 21 2016 read more about #Italian Art ITALIAN ART: Codex Purpureus Rossanensis By Enrico de Iulis Central Institute of Restoration, the Codex Purpureus Rossanensis has been returned to the Diocesan Museum Citizen, expressly rearranged and redesigned for the occasion. The Codex, known just by a small enclave of people passionate of bibliophile, is a sixth-century after Christ artifact so important that UNESCO has listed it in the Memory of the World Register in 2015. It is a book entirely composed of pages of purple parchment written in Greek capital letters that tell part of the Gospel (only that of Matthew and much of that of Mark), and some letters. A Gospels then, but with a particular characteristic: it is completely written in gold and silver and not with usual inks of the time or with the original binding of the '700. This masterpiece was accidentally discovered in 1846 in the sacristy of the cathedral of Rossano, but only thirty years later it was extensively studied by two German scholars, who revealed it to the scientific community. After an unfortunate restoration immediately after the First World War, the community started asking questions about the document. Who created it? Where was it made? Who was the client, and why with just two gospels? Italy has a network of museums that has been recently highlighted by the tourist guides, little known even by the most frequent art visitors: it is the great and diverse proposal of Diocesan Museums. Maybe because they are associated with an idea of monotonous repetition of sacred pieces, or because of very little pu- blicity by the dioceses, these museums continue to hide true beauty and art rarities, staged in modern and sometimes also historical facilities. The latest good news comes from Rossano, on the Ionian coast of Calabria where, after three years of treatment at the Confronting it with similar findings preserved in Vienna and Paris, the almost unanimous conclusion was to date it from the sixth century AD, being Syria the area where it was created. The preciousness of the materials used 22 | WE THE ITALIANS WE THE ITALIANS | 23 www.wetheitalians.com www.wetheitalians.com