We the Italians December 14, 2015 - 74 | Page 56

th # 74 •nECEMBER 14 , 2015 by the organization of exhibitions in late '800 which ensured the Court returned to the Castle for a short time. The castle was first abandoned and then transferred to the Municipality and rapidly degraded over the last century; it took years of restoration to be able to reopen to the public as the site of the new museum. The museum The Castello di Rivoli Museum of Contemporary Art was established taking into account the prestigious architectural remains of the building in which it is located, and pays particular attention to the multiple forms of expression of contemporary art by housing theatre performances, concerts, exhibitions of films and artistic videos, series of meetings, but also symposia and round tables dedicated to all the artistic disciplines. The collections The permanent collection This collection documents works belonging to crucial moments in the development of contemporary art in Italy and abroad: from the mid-60s until today. The core of the collection consists of works of Transavantgarde, Minimal art, Body art, Land Art including the latest international trends in addition to many works of Arte Povera. Video Collection The collection was started in 2000 and 56 | WE THE ITALIANS www.wetheitalians.com includes a number of artistic films and videos, but also documentaries concerning the artists, produced by Nam June Paik, Bill Viola and recently Vanessa Beecroft amongst others. The Museum of Advertising This collection includes more than 2,000 posters and original sketches from the '30s to the ‘80s by artists such as Dudovich, Cassandre, Armando Testa, Gino Boccasile and posters of ENIT and other public bodies from various eras. The audio-visual material, in addition to the famous “Caroselli” (renowned Italian prime time advertising spots), presents cinema and television commercials including the entire collection of advertising films which have received awards at the International festivals in Cannes and Venice since 1954.