WDW Magazine April 2016 - Disney's Hollywood Studios | Page 108

here’s a lot of work in separating yourself from a specific visual opinion. So, you can go back one
step and go, “Look! Whatever it is, this thing needs to look really scary, and it needs to be in a bluish
area of color–cool tones. And it’s got to fit inside this space, so you just know it’s not going to be
any bigger than X. And it forms this very important point in the story right about here.” Those
things are true. They’re going to stay true. Exactly what it is, that’s up to you, designer person.
When you start out as a designer–I started out as a designer–as you move through your career
path, of course you’re always getting direction from other people and having to do these designs.
There’s a certain level of frustration in that you’re the d \