Watch This Space Film Magazine Issue 3 | Page 19

4. THE WRESTLER (2008) In 2007, hyper-stylistic director Darren Aronofsky removed himself from his trademark edits and symbolic imagery in favor of a verite’ inspired character study of a broken, has-been wrestler on his last legs. Aside from Aronofsky’s sensitive, yet raw documentary-style direction, the selling point of the film is Mickey Rourke’s heartbreaking performance as Randy “The Ram” Robinson, blending his mired Hollywood reputation at the time with the equally disfigured protagonist. Even if you’re not a fan of the muchderided sport, THE WRESTLER is nonetheless a tragic, yet ultimately inspiring tale of second wins and personal redemption. 3. BAADASSSSS! (2003) Melvin van Peebles was (and still is) a take-no-s#@t filmmaker, relentless for pinching pennies where needed and doing whatever it took to get his films off the ground, most notably his 1971 indie success SWEET SWEETBACK’S BAADASSSSS SONG. With the appropriately titled BAADASSSSS! (2003), his son Mario van Peebles carries the family tradition in this loving, yet brutally honest recount on the making of his father’s urban epic. One-half lesson in low budget filmmaking, one-half underdog tribute to father from son, BAADASSSSS! Is a must watch for film lovers and anyone seeking creative truth. 2. ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004) Notwithstanding the fact that this happens to be my favorite film of all time, ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004) is a beautifully crafted analysis of failed relationships and handling distress. Blending writer Charlie Kaufman’s cerebral examination of romance and depression, director Michel Gondry’s surrealist, painstakingly crafted in-camera effects that depict the degradation of retrograde memory, and a cast of terrific, intimate performances led by Jim Carrey and Kate Winslet, this film is a tremendous, soul searching ordeal for the romantic at heart. 1. SHOW ME LOVE (1998) Made for an estimated SEK 9 million ($1.1 million in American currency) and shot on 16mm, Lukas Moodyson’s SHOW ME LOVE (1998) is almost like a vid [