WAR CRIMES: ATYP AFTER YOU SEE THE SHOW | Page 2

ATYP ATYP GETTING THOUGHTS DOWN ON PAPER WHERE DOES THE TENSION BUILD? Our Director, Alex, documents his creative process in a very visual way. His journals, brainstorms and drawings before the rehearsal period began are intricate, thorough and very beautiful. Look at the timeline below. This is a great way to instantly see how the play develops and identify the scenes that are required to build tension for the audience. Gain a very special insight into the creative process of Alex as a director. See how Alex pictures the entire play before rehearsals begin. → YOU HAVE A GO Australian Theatre for Young People → YOU HAVE A GO Read the brainstorm adjacent. Think about the types of approaches Alex is planning to use in the rehearsal room. Identify: - text based activities - physical activities - ensemble building activities - character development - location establishment - random ideas Think about which ones are crucial to the development of the characters. Do all of these activities feature directly in the play? Why/Why not? Why do you think Alex approaches rehearsal in this eclectic way? → FOR A CHALLENGE Actively apply the techniques in the list above to your next rehearsal process. How do the exercises influence the development of the cast, characters and the piece itself? Australian Theatre for Young People Highlight the scenes that you think are key to tension and audience response. In small groups create a tableau for each of these key scenes. Discuss the tableau you have created. Which ones had the greatest sense of tension? Was there any debate as to which scenes to select? Why/Why not?