Walking On Volume 5, Issue 6, June 2018 | Page 11

Back to Basics tight places. “Talk” to that area with your cue words. For example, say out loud, “Neck--Let go.” Wrists-- Leg go.” “Legs--Let go.” 6. Now, let’s talk about breathing. Normally, when you’re tense, your respiration becomes more rapid and shallow. You might even find that you occasionally hold your breath. You can be sure that if you do this, you’ll transmit your tension to your horse. So, practice deep breathing. As you inhale through your nose, keep your shoulders down and let your stom- ach get “fat”. As you exhale through your mouth, feel your seat lowering into the saddle so that you “dissolve” into your horse’s body. Con- sciously breathe like this when you first get on, during every break, and as you go around the outside of the arena. In fact, one of your performance goals can be to take a deep breath in every corner. fists together. Then when you feel tense at shows, you can use your cue to slow your heart rate because you’ve trained yourself to do so. You’re not alone. Everyone gets tense when competing. Contrary to popular opinion, professionals are not immune to sweaty palms and rubbery legs. But the exciting thing is that you can learn to deal with your anxiety so that you can still do your job well and enjoy yourself. All it takes is some handy tools in your toolbox. Are you sick and tired of complicated and confusing training techniques? Are you frustrated by negative emotions like fear and lack of confidence? Would you like to be trained by a Three Time Olympic Coach? Learn how by going to: http://janesavoie. com/ Article Source: http://EzineArticles.com/ expert/Jane_Savoie/131549 7. You can also train your- self to regulate your heart rate by using the stress and recov- ery cycle that occurs during exercise. Go for a twenty-min- ute walk and periodically in- crease your heart rate by walk- ing faster or even jogging for 10-30 seconds. Each time you slow back down to a comfort- able walk and feel your heart rate and breathing returning to normal, anchor this feeling with a specific cue. Pick a cue that you can use easily when you ride. For example, clear your throat, touch your thumb to your forefinger, or tap your 1 1