Vermont Magazine Winter 2020 | Página 45

Nelson: I don’t like being on the computer. I don’t like screens. I guess I have to develop an Instagram presence. Sherman: And Dwight, what do you see in the stars? Ritcher: Definitely some more touring. Definitely a lot more studio work. I’m ex- cited about music. And so the more music I can play, the more excited I’ll be. Sherman: We’ve really focused a lot on your biography, but we really didn’t talk about your process. You told me that you’ve got hundreds of songs that you’ve written. What usually inspires you to write a song? Do you start with the words? Do you hear the music? Do you collaborate together or write individually? Talk about the actual process of building a song. Ritcher: So the start of the song could be a lot of different things. It could be a mel- ody first. It could be trying to explore an answer to a question that I can’t figure out on my own. There are so many different things that inspire me to write songs. My phone—that’s my go to. I have all my mu- sical ideas on that. And then I stick that on the computer, but I approach songs a lot of different ways. After a while, you get this sense that you’re onto something, because you can follow the action. The excitement of it. If you still feel the excitement as you’re drafting things you start to see it. The vision becomes clearer to me. Sherman: Nicole, is your process similar to Dwight’s? Nelson: No, very different. So, it’s the op- posite of Dwight’s. He is prolific. He’s writ- ing all the time. I will have, like, a moment where a song falls into my body and then I write it. And it’s almost done. It’s really like that. Once a month at the most—usually less. It depends on what I’ve got going on. If I have some free time, they start coming in. They start flowing in. But when I’m hectic, it happens like once every three months, even sometimes only two or three times a year where I’ll get a download of a song. I don’t always have all the lyrics right away, but sometimes I do. And I’ll hear the drums. And I’ll hear the bass. And I’ll hear piano parts. I’ll hear background vocals. M USIC L OVERS E VERYWHERE…….. Whether it’s Classical, Pop, Rap, New Age, Musical Theater, Electronic, World, R&B, Americana Roots, Latin, Folk, Gospel, Rock, Children’s or Jazz….. T HE I NDIE C OLLABORATIVE has got it covered- written, performed, engineered and produced by some of the finest award-winning indie artists on the planet. Next Stop: C ARNEGIE H ALL GRANT MALOY SMITH AND EILEEN SHERMAN P R E S E N T The Indie Collaborative C elebrating e arth D ay in S ong Featuring Award-Winning Artists Across Musical Genres GRANT MALOY SMITH THE BLUESTONE SISTERS CHRISTIAN FABIAN LETI GARZA DAVID S. GOLDMAN MIKE GREENLY SONYA HENSLEY GARETH LAFFELY BENJAMIN LERNER KEVIN LUCAS DAVID MALDONADO MLN NOSHIR MODY ALEX OTEY RICKY PERSAUD, JR. MONIKA RYAN TANIA STAVREVA ALAN STOREYGARD ALSO FEATURING RYAN VANDENBOOM & MORE GREAT SINGERS, DANCERS & ARTISTS Weill Recital Hall at Carnegie Hall April 22, 2020 8:00 PM (doors open @ 7:30 PM) Tickets $60 INCLUDES AFTER-PARTY TICKET! Please order all tickets on-line at https://www.indiecollaborative.com/Carnegie VTMAG.COM WINTER 2020 43