Vermont Magazine Summer 19 | Page 68

Weston Playhouse began as a small local the- ater in 1935 during the Great Depression when a Weston-born architect named Raymond Aus- tin put the finishing touches on a playhouse The Boston Globe called “the most beautiful theatre in New England.” Located in a renovated church used by the town’s drama club, the playhouse quickly caught the eye of director Harlan Grant, who produced the theater’s first summer stock season in 1937, starring Lloyd Bridges. The company quickly flourished, launching the careers of many talented artists. Musicals were added to the playhouse’s offerings. A cab- aret and restaurant soon followed. Owned by the Weston Community Association, the play- house was rented by the theatre company dur- ing the summer with support from the commu- nity. This model continued through the 1940s. In 1962, a fire destroyed the original Greek- revival building. The 1970s brought flooding. Hurricane Irene famously flooded the space in 2011. But like a Phoenix rising, the theatre was The exterior of the new Walker Farm facility 66 restored after each crisis. In 1988, three former artistic directors, concerned about the rising costs of running the professional theatre, reorganized Weston Playhouse as a non- profit Equity company. Since then, it has been home to a family of artists that includes actors, producers, directors, and others from New York and Vermont. Their collective engagement and investment in the future of the playhouse led to new play and musical development. Some works were experimental and some, like the highly suc- cessful play Oslo - written in part at Weston - went on to receive great acclaim. In 2017, Weston Playhouse at Walker Farm opened. The year-round facility, with a new state-of-the-art building can now advance the theater’s new play and musical develop- ment programs. “Our New Works Program values the idea that when we nurture new writing, we are also nurturing new, original points of view,” says Gellert, who has an MFA