Vermont Bar Journal, Vol. 40, No. 2 Vermont Bar Journal, Summer 2019 | Page 10

Happiness what my family thinks is a terrible sense of humor over the years, loving comedy and loving watching improv so I just thought, hey, this would be kind of fun. I was thinking my kids are out of the house and in my practice is now just mediation, so I had time at night to do it. I thought it was going to be a one- off, just to try it, but I loved it! JEB: And do you find you grew as you were able to be more creative as you took the course? NG: Yes, I improved as I moved on to each level where in level three you can expand the story more. RH: The courses at the Comedy Club are really special. They have built up this real community of improv learners, fans and in- structors, and so even though sometimes I feel pretty out of my league, they are all so friendly and fun that it doesn’t matter. JEB: You said that the downfall of a lot of people is trying to be so funny and creative in their own world that they cannot see what is going on, but it does end up being funny, right? NG: Yes, it is absolutely funny. Once you just let yourself be part of the flow of the big- ger process, you kind of lose any pressure to be funny, you just add to the scene which inevitably ends up being funny. I mean it is hard not to think of funny things but still you shouldn’t try to be funny, you just go with it. It never ceases to amaze me, the things that come to you. The value of it is that it ends up being incredibly funny and you just get a rush with it. JEB: Saying things that you thought of you never would have…. NG: Right, it was pretty shocking to my family because it is a safe space, where you can go off and say things without violating social constraints, although, we do make a big effort to make sure that the performanc- es do not have discriminatory or sexist intent. JEB: Because off-color tends to be funny, but you have to be pretty careful, since you never know what people are going to say, right? RH: It’s definitely hard to string five words together on stage at a comedy club without saying the f-word, for example. JEB: But that is allowed. NG: Correct, there is no censorship. JEB: So speaking of the f-word, I under- stand you took the standup class too, Rick, so that’s more pressure in trying to be as fun- ny as possible and trying to think of creative things to say. RH: Yes, so this may be a stupid analogy, but it just popped into my head and I am go- ing to use it. 10 JEB: You are going to improv right here. RH: Yes! So standup is more like trial work, you know, prepare, prepare, prepare. I start- ed out with maybe 10 minutes of pretty lousy material, and over the course of 5 weeks of classes, honed it down to maybe 4 minutes of pretty good stuff. So, like trial work, it’s the constant sitting with the material and honing it down… JEB: And hoping you have a receptive ear. RH: Yes, hoping you have a receptive ear, and running it past as many people as pos- sible to see who thinks it is funny. JEB: Are you going to give us one of those 4 minutes? RH: Not on the record. JEB: Oh, bummer! Contains some f- bombs? RH: I suspect so, yeah. But improv, it’s more like mediation, even just when you are meeting with your client or meeting with op- posing counsel for the story. And at the ses- sions, you have to be ready for anything and you have to be creative and open. The train- ings definitely help. NG: I continue to do trainings and perfor- mances because I love it so much. Rick is a little more occupied than me, because he has 3 children at home. A lot of independent im- prov groups have sprung up out of the club. I joined one of them, the “old” people group, and it… RH: Over 40. JEB: Oh, wow yikes. NG: That’s to show you how young the usual demographic of the comic club is. And almost every Wednesday night they have what’s called the “Smack Down” which is where 3 independent improv groups com- pete against each other, the audience votes, and the winner gets to go the next week. JEB: Ok. NG: So, the old age group has performed 4 or 5 times in the Smack Down. We won once and we won the trophy and then we lost the following week. JEB: Ok, sounds fun! Are these perfor- mances at a bar? NG: No, it’s at the Comedy Club. But it’s a full liquor licensed bar, with an inside section with tables and chairs and the stage. JEB: Ok, nice. NG: Yes, they do have table servers, and actually pretty good snack foods and things, my favorite is they warm up cookies … I should say we are not getting kickbacks. JEB: I know, first you were saying how awesome the Comedy Club is and now you are saying something about the cookies, THE VERMONT BAR JOURNAL • SUMMER 2019 yeah sure. NG: There are 5 people in our “senior” group called Celine Dior (long story) and we have been a great team. The coach has been terrific with us. I love it so much that these performances have been my continuity with the club. I am not sure what my next things is, because there was also a sketch comedy class, which I took, and Rick took that too, and the only class I haven’t taken is standup. JEB: You don’t do trial work, so you don’t need it? NG: I don’t do trial work, and I never liked trial work. They did do something this win- ter where they had improvers who had nev- er done standup, do standup, and standup people who had never done improv do im- prov. JEB: And? NG: I thought, and modestly, that it was funny even though I was nervous all week and didn’t want my family to come. I didn’t want to tell them I was doing it. RH: So you told her you were having an affair? JEB: [Laughs] Yeah, anything but standup! NG: My wife came and said it was pretty good and was startled by how poised I was. , generally, I don’t think I could do the stand- up class because it is too structured for me. JEB: Too prepared and designed? RH: Yes, there is a rhythm to typical stand- up, there is the setup, there’s the joke and then you move on, but, like Neil, I am more of a story teller and so I found that structure kind of hindered me. JEB: Question for both of you because the thought of doing either improv or standup scares the daylights out of me. Class clowns, yes or no? RH: No. NG: No. JEB: Shy? RH: Yes. NG: Yes. RH: Well, I think, I was a class clown to a certain group of like 2 or 3 people. JEB: Ah, so they knew you were funny but no one else knew you were funny! NG: My 25-year-old self-looking at myself now, would be shocked. JEB: Neither of you would imagine that you would have done this? RH: I don’t know, because even though I was shy about it, I have always liked humor and I have always liked doing funky things with words, so maybe I don’t think my teen- age self would be surprised that I did it more than once. But I wouldn’t have done it then. www.vtbar.org