Vanderbilt Political Review Winter 2015 | Page 24

INTERNATIONAL VANDERBILT POLITICAL REVIEW The trouble with Sony Private terrorism and the public good B efore November 24, 2014, Seth Rogen and James Franco would not be associated with the term cyberterrorism. If the duo were associated with any political issue, it was drug policy, as they starred in several drug themed comedies together, such as Pineapple Express and This is the End. All of that changed, however, when their feature, The Interview, prompted what is now likely the most famous example of cyberterrorism in history. The film had been controversial from the time it was announced. The North Korean government immediately called it “a wanton act of terror” and promised “merciless” retaliation upon its release. Rhetoric like this is commonplace for the North Korean government, and is not typically accompanied by action. Thus, when skeletal figures and threatening messages popped up on every computer at Sony Pictures Entertainment on November 24th, it came as a major shock. A group calling themselves the “Guardians of Peace” took credit for the hack and threatened to publish Sony’s secrets over the web. Over the next few weeks the hackers dumped a virtual landslide of sensitive information including employees’ personal information, memos featuring scathing criticisms of industry figures such as Adam Sandler and Angelina Jolie, and racially insensitive emails concerning President Obama sent by high-level executives. On December 16th, the perpetrators made threats to target any and all theaters that showed the film. As a result, all major theater chains dropped the film. Sony cancelled the release, only to backtrack and release it in smaller theaters as well as 24 by WADE BOICH ‘15 through video on demand services such as Google Play and Xbox Live. This whole incident demonstrates the power that cyberterrorists can wield over corporate actors, who do not have the same ability to absorb material costs as states. Regardless of the veracity of reports of North Korean involvement, the act and the intent behind exemplifies the key characteristics of cyberterrorism. aters face is real because they have to balance freedom of expression with safety and commerce.” The Interview was made on a $44 million budget, which is relatively large for a comedy, but small in comparison to Sony Pictures’ $8 billion in revenue in 2014. The cost of production is immaterial when looking at Sony Corporation as a whole. Meanwhile, had an attack oc- When it comes to negotiating with terrorists, the conventional wisdom has been driven into the ground to the point of cliché: don’t do it. First, the hack not only disabled Sony’s computers for an extended period of time, but also severely impeded its business interests. This does not just impact Sony employees, but also its shareholders and business partners as well as moviegoers at large. There is little doubt that this was a severe disruption of American commerce. Additionally the “Guardians of Peace” made direct and violent threats to theaters, going so far as to claim that the attacks would leave the world “full of fear.” The hack was an obvious, politically motivated attempt to censor a channel of media through fear and blackmail. To a corporation such as Sony, however, there was a whole separate aspect of the hack to consider: the material cost. Fareed Zakaria articulated the difficulty of Sony’s position, saying “The challenge that movie studios and the- curred at a showing of The Interview, the legal costs alone would have been staggering, not to mention the negative publicity that would have come with putting moviegoers in harm’s way. The situation was even more difficult for the theaters, which worried not just about liability, but also about potential customers staying home altogether because of the threats, which would not only impact The Interview’s gross, but those of all the other movies shown during that time period. This can all be boiled down to one point: corporations such as Sony and AMC are legally obligated to act in the best interests of their shareholders, meaning that they cannot sacrifice profits or risk litigation to stand on their principles. When it comes to negotiating with terrorists, the conventional wisdom has been driven into the ground to the