Urban Grandstand Digital Issue 10 | Page 54

UG Digital Mag: So let’s talk a little about the independent world. You’ve been independent for a number of years now. You’ve released a number of projects, which in my eyes have been quite successful, and you’re now on your latest which is doing phenomenally. What difficulties have you had along the way? How have those things gotten better over the years? Mya: Well being independent and managing to pay for your projects & put them out into the universe yourself is quite a success. But coming from the major label world, my independent projects might be looked at as a failure from some. Some of the difficulties have been not having enough time in the day to wear every hat. I enjoy the process and making sure the product is right, but damn it is a struggle trying to be 20 different people in one day (laughs). And I often laugh at & even question myself… “like damn… you are either super passionate or you are just insane.” I guess the two go hand in hand. Difficulties… Well because I am not supported by a major budget which pays for marketing, promo, advertising, radio & TV time, the perception has been that I quit singing. But it’s actually been the complete opposite. I’ve never traveled, performed, recorded so much, pushed out this many projects or actually recouped & profited this much in my life… the way I have in my independent journey. There are many things that could be better, but many things that could be worse. But one thing that’s gotten better is my art, self love & knowledge of business that only doing time in the trenches can teach you. UG Digital Mag: I have the debate with artists often in regard to being independent, and I’ve always felt like it was so much better being independent, in terms of freedom, marketing and promotion abilities, and so on. I’ve always felt that nobody can sell or or email, set up a time, and take it from there creatively or they’ll send me something to download, I vibe to it in a completely different city, state or country… and we build from there. For this project, I wanted to give more of an experience with musicality & R&B roots. UG Digital Mag: What was timing in putting this together? How long did you work on this project? Mya: There was no particular in timing in putting the project together. With the exception of the intro, the outro & Coolin’, I’d recorded the other songs over the course of the last 3 and a half years which were just sitting amongst an archive of unreleased music. I handpicked what I thought would work best together for another grown & sexy themed project to complete the EP of the Planet 9 EP Series. The Smoove Jones title came to me around October 2015, when I started going through pictures to assemble the 2016 Calendar… I said “That’s it…that’s the cover right there! That’s Smoove Jones. That is HER & that’s going to be the title of the next EP.” Now, the crafting of the calendar, the digital booklet, all of the paperwork, mixing, mastering, design, packaging, metadata organization & manufacturing of the physical CD was all done in-house through my label, Planet 9… I’d say it was at least a 2 1/2 month process. UG Digital Mag: I’m not one who watches the charts constantly, but from what I can see in terms of your fans, the album is doing great. Mya: That’s great, because I certain don’t pay attention either. I’m just happy that my music is in the universe having folks feel some type of way (laughs) and is being received well.