Credits
Video Stills:
Cover image front and back, pg. 14-15, 18, 23.
Stills from: Sarah Edmondson, 'The Making of XXXII, after Caravaggio's Supper at Emmaus', 2018 (11 mins 30 secs, video loop, colour, with sound).
Laura Bradshaw-Heap 'Icing is a NO NO' , 2018 at gallery shush (6 mins 32 secs, video loop, colour with sound) pg. 64-65.
Photographs:
Studio Portrait, pg. 7, image courtesy of Victoria Maher.
Sarah Edmondson, 'Self Portrait aged 32, after Caravaggio', 2018 (fine art print on photo rag, 352 x 490 mm) pg.8.
Sarah Edmondson, 'The Aftermath of XXXII', 2018 (digital print of the birthday cake) pg.9.
Installation Photo:
Exhibition 'Thinking About Blue Almonds', 2018 at Ormond Studios, Dublin. Photo courtesy of Kate Bowe O'Brien, pg.17.
Photo Documentation:
pg. 25, 28, 30, 32, 36-37, 56,
Sarah Edmondson, 'Icing is a NO NO equipment package', 2018 (contents include: MoU, instructions booklet, white table cloth, cotton dust sheet, matches, wax birthday candles, blank DVD, phone tripod, memory stick, mahogany length of timber, postcard of 'Supper at Emmaus' from the National Gallery of London, red notebook, red tape, bulldog clips)
Laura Bradshaw-Heap, 'Icing is a NO NO' , 2018 at gallery shush, preparations and exhibition, pg. 5, 38, 39, 42-43, 44, 45, 46-47, 49, 50-51, 52, 53, 54-55, 57, 58-59, 60-61, 67.
Video:
'The Making of XXXII, after Caravaggio's Supper at Emmaus', 2018 (11 mins 30 secs, video loop, colour, with sound) pg. 20-21.
Sarah Edmondson, '1 white tablecloth'' 2018, 53 secs, video loop, colour with sound) pg. 26-27.
Laura Bradshaw-Heap 'Icing is a NO NO' , 2018 at gallery shush (6 mins 32 secs, video loop, colour with sound) pg. 62-63.
by xxx.
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