Under Construction @ Keele Vol. IV (1) | Page 13

References Author Unknown, “Why Othello will be played by a woman at the Liverpool Everyman”, BBC News, November 10, 2017. [Accessed October 12, 2017]. http://www.bbc.co.uk/news/entertainment-arts-41930973. Barber, Caesar Lombardi. Shakespeare’s Festive Comedy. Princeton, NJ: Princeton University Press, 1959. Cavendish, Dominic, “The thought police rush for gender equality on stage risks the death of the great male actor”, The Telegraph, February 23, 2017. [Accessed November 12 2017]. http://www.telegraph.co.uk/theatre/what-to-see/thought-polices-rush-gender- equality-stage-risks-death-great/ Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theatre. London: Routledge, 1997. Greig, Tamsin. ‘Tamsin Greig on Twelfth Night’ [Video], National Theatre Discover, March 30 March 2017. [Accessed November 12 2017]. https://www.youtube.com/watch?v=i1fmZ6jHqqI Shakespeare, William., Twelfth Night, Or What You Will. Ed. Warren, Roger and Well, Stanley Oxford: Oxford University Press, 2007. Smith, Bruce, R. Twelfth Night: Texts and Contexts. London: Palgrave, 2001. Snow, Georgia. “Gender-blind Shakespeare casting ‘stupid’, says playwright Ronald Harwood” The Stage, 31 st August 2016. [Accessed November 12 2017]. https://www.thestage.co.uk/news/2016/gender-blind-shakespeare-casting-stupid-says- playwright-ronald-harwood/ Stallybrass, Peter, and Allon White, The Politics and Poetics of Transgression. New York: Cornell Ithaca Press, 1986. Twelfth Night. (2017). [live broadcast] Directed by Simon Godwin. London: The National Theatre. 6