TRAKS MAGAZINE TRAKS MAGAZINE #9 | Page 4

interview sam and the black seas: the importance of the islands explain the name of the band? Everything was born in 2012, I had some song written with Giovanni D’Avanzo, ar- ranged for guitar, cajòn and cello. After my return from three months in Australia, whe- re most of Silver’s songs have been written, I contacted Mattia and Cisco with whom I had already played in other bands to propo- se to play together, some tests and we started to live. After a couple of recorded eps and a Silver is the debut of Sam and the Black Seas, an indie-folk group that recorded the record moving between Italy and England. Recorded by Daniele Falletta, mixed by Mat- teo Sandri at the Mono studio in Milan and mastered by Giovanni Versari at La Mae- stà Studio, the record includes nine English songs from many different colors. We inter- viewed them. Can you summarize your story so far and 4 good number of changes of formation, inclu- ding Andrea, we ended up playing in Sardi- nia, where we met Marco who proposed to collaborate with h is label. Apparently, the islands mark our most important moments. In this year and a half of collaboration with Atomic Fat we played so much in London, shot video material and especially recorded our first album, Silver. The name Sam and the Black Seas was born playing, each of us chose a place, number and color. Initially it was ‘Seven Black Seas’, but Thomas, founding partner with Marco of Atomic Fat, changed it to ‘Sam and the Black Seas’. He won him with the votes... no, he did, in fact, have decided so, saying that “we are not a metal band”. You have “prepared the ground” for the album by publishing four singles and videos before the release: how did this “strategy” come about? 5