TRAKS MAGAZINE TRAKS MAGAZINE #9 | Page 24

review niac, surprising cover taken from no less than the Flashdance soun- dtrack, with Michael Sembello transfigu- red in a metal (but not exaggerated) dance. An lp that is claustrophobic but also enjoyable, the Niamh one. The gen- re is doubtful, in the sense that many metal influences and even something out of the metal are felt. However, the result is robust and remarkable. niamh ting the fun in FUNreal opens the record at very high rhythms. There are echoes of nu metal and goth in the song, mixed and agi- tated by powerful sonorities. The WOW ef- fect prolongs in the same mood, with similar sounds but slightly more controlled rhythms. The power of this song is freely expressed through the guitars that vanish before finding free openings. It recovers in terms of aggres- siveness with Eat.Pray.Kill, which jumps and knocks in rather dangling. Mrs. Fletcher’s relatives plays dirt and sneak into electronic grooves crawling until they get out of wedges. After an electro intro, here’s My Antichrist Anaemia, another bloody and virulent tune. You get into not very quiet heads with The voices made me do it, which unloads all the energy you can from the electric side. The following song is Paracetamolotov, an in- teresting mix that sees drumming going on from the previous tune, but raising even more volumes and rhythms. Corax closes with Ma- A Poe-style raven and sketches of blood on the cover, Corax is the new Niamh album. Newborn band but with individual experien- ce behind, Niamh can count on Mateja, part of the rhythmic section of the Indigesti, a hi- storic Italian punk band, with which he plays throughout Italy and beyond, while Bellix has only been part of it in the past. Mike is also a singer of Arcadia, for years one of the band’s richest lives on the peninsula (they played with Iron Maiden, Megadeth, Six Feet Un- der, Mnemic and others). Tommy, however, was part of the Arcadia, in the past growing up with them step by step. After a few pangs (and we are already in 2016), the four Vercelli guys start to play, debuting live and recording the first pieces looking for songs of strong and energetic impact. The album is made up of eight metal tracks of different colors. Put- 24 25