dy Mellory , on guitar ). Further away from rock-grunge coordinates that had characterized the early work , Marydolls are moving now towards closer atmosphere to the Italian indie-pop scene , albeit maintaining a rock attitude and leaving plenty of room for experimentation .“ We come from half-life ( played ) together . From high school with the first “ gypsy ” live at sixteen , up and down Italy and the nights in the van ... Dawn of thirty years , always with the music in our heads . Thirty years is all a bit different and “ Tutto bene ”, our third album , marks this step , this new awareness . Do you know that feeling that the more time passes , the more you seem to take from questions only assists other questions , accumulating one over the another ? All you can do is probably telling yourself : it is all right ... For us this is a sort of mantra that we repeat in the head , not to lose ourselves , to stay alive . Because if you were twenty and promising ,
now you have to keep your promises ”. Lp starts from the single Voglio essere giovane , an anti-anthem that starts slowly but rises quickly enough . High is the electricity level with Dimmi la Verità , song with intense and almost garage resonance , with good doses of cockiness . Summer protests and electronic sounds , but also violin and drumming for a dismal D ’ estate al mare , which has a vehement and effective chorus . Submission , travel and relationships are at the core of the lyrics of Lei dice , proceeding with march rhythms and pop influences . Stelle cadenti requires a stronger pace , but also better built and variegated sonorities . It then goes on Tutto bene , title track with a vocal loop that dips into electronic sensations and that spreads a bit claustrophobic . After the rapid Intervallo , here is Berlino : indie tones , widespread electricity and a construction that grows gradually , taking the side of both explosions and intimating galleries , with some flash of Hammond . On the contrary , it comes the fanfare in the country in introducing C ’ è chi . Then here comes the acoustic guitar and a list that makes clear reference to Rino Gaetano . The soundscape then thickens and becomes richer . Oggi mi butto opens with acoustic sounds , but switches to pop scenarios very quickly .
review
dy Mellory , on guitar ). Further away from rock-grunge coordinates that had characterized the early work , Marydolls are moving now towards closer atmosphere to the Italian indie-pop scene , albeit maintaining a rock attitude and leaving plenty of room for experimentation .“ We come from half-life ( played ) together . From high school with the first “ gypsy ” live at sixteen , up and down Italy and the nights in the van ... Dawn of thirty years , always with the music in our heads . Thirty years is all a bit different and “ Tutto bene ”, our third album , marks this step , this new awareness . Do you know that feeling that the more time passes , the more you seem to take from questions only assists other questions , accumulating one over the another ? All you can do is probably telling yourself : it is all right ... For us this is a sort of mantra that we repeat in the head , not to lose ourselves , to stay alive . Because if you were twenty and promising ,
now you have to keep your promises ”. Lp starts from the single Voglio essere giovane , an anti-anthem that starts slowly but rises quickly enough . High is the electricity level with Dimmi la Verità , song with intense and almost garage resonance , with good doses of cockiness . Summer protests and electronic sounds , but also violin and drumming for a dismal D ’ estate al mare , which has a vehement and effective chorus . Submission , travel and relationships are at the core of the lyrics of Lei dice , proceeding with march rhythms and pop influences . Stelle cadenti requires a stronger pace , but also better built and variegated sonorities . It then goes on Tutto bene , title track with a vocal loop that dips into electronic sensations and that spreads a bit claustrophobic . After the rapid Intervallo , here is Berlino : indie tones , widespread electricity and a construction that grows gradually , taking the side of both explosions and intimating galleries , with some flash of Hammond . On the contrary , it comes the fanfare in the country in introducing C ’ è chi . Then here comes the acoustic guitar and a list that makes clear reference to Rino Gaetano . The soundscape then thickens and becomes richer . Oggi mi butto opens with acoustic sounds , but switches to pop scenarios very quickly .