tries to mess up the plans, but not so much. A suffered course is drawn in Irish Mississippi, with ideas that flow with a much“ played” guitar that does not seem to miss a beat fraction. Another change on the horizon that of Cellule, which is guided entirely by piano, with a soft and melancholic air. Human voices instead appear to punctuate the passage of Darvish, in which the guitar fits with kindness and harmony. Tones a lot more determined the ons that characterize Trevor, with some hints of tex-mex and a fluid performance, in constant confrontation with the horns. Curfew Go Go Go returns to the piano, but in a nervous and accelerated manner, waiting for some sudden epiphany, that opens and closes in an instant. The song is definitely among the more traditional for a“ soundtrack” album. After the brief interlude of Dirottato Variazioni, there is the cover of Blue Velvet, classic standard a little more than hinted. Talking about covers: what about Bolero by Ravel, played with great agility. Atmospheres otherwise very leaden that ones impending Sakura, which moves substantially in noise territories, to make room for a striking and disturbing recited
in Japanese. The“ full” version of Otto Haiku sulla Morte shows the guitar in solo, between echoes and sunny landscapes. Dreamy atmospheres are the ones of Dustin, that goes in psychedelic land but without losing a grip on the earth, indeed spreading horizontally. Papa Legba is My Sensei explores wastelands, with guitar and minimal percussion. Prima lamentazione moves into dark territories, with continuous loops and variations that can invoke ambient artists. Lp closes with Col di Lana, a climb with slow ways, with the jazz moods and dark colors of bass that contrast with the crystalline speed of six strings. Traces condensed into this work of Alberto N. A. Turra, although born in times and for different purposes, approach side to side like a good puzzle. The overall result offers a varied and interesting picture, not only highlighting the excellence of talent as a guitarist, but a very rich vision.
tries to mess up the plans, but not so much. A suffered course is drawn in Irish Mississippi, with ideas that flow with a much“ played” guitar that does not seem to miss a beat fraction. Another change on the horizon that of Cellule, which is guided entirely by piano, with a soft and melancholic air. Human voices instead appear to punctuate the passage of Darvish, in which the guitar fits with kindness and harmony. Tones a lot more determined the ons that characterize Trevor, with some hints of tex-mex and a fluid performance, in constant confrontation with the horns. Curfew Go Go Go returns to the piano, but in a nervous and accelerated manner, waiting for some sudden epiphany, that opens and closes in an instant. The song is definitely among the more traditional for a“ soundtrack” album. After the brief interlude of Dirottato Variazioni, there is the cover of Blue Velvet, classic standard a little more than hinted. Talking about covers: what about Bolero by Ravel, played with great agility. Atmospheres otherwise very leaden that ones impending Sakura, which moves substantially in noise territories, to make room for a striking and disturbing recited
11 review
in Japanese. The“ full” version of Otto Haiku sulla Morte shows the guitar in solo, between echoes and sunny landscapes. Dreamy atmospheres are the ones of Dustin, that goes in psychedelic land but without losing a grip on the earth, indeed spreading horizontally. Papa Legba is My Sensei explores wastelands, with guitar and minimal percussion. Prima lamentazione moves into dark territories, with continuous loops and variations that can invoke ambient artists. Lp closes with Col di Lana, a climb with slow ways, with the jazz moods and dark colors of bass that contrast with the crystalline speed of six strings. Traces condensed into this work of Alberto N. A. Turra, although born in times and for different purposes, approach side to side like a good puzzle. The overall result offers a varied and interesting picture, not only highlighting the excellence of talent as a guitarist, but a very rich vision.