10 starring Filippo Timi and “ The Origins of Music ” of the Mexican Daniel Arvizu and Sam Madrigal , have seen the light , the need has arisen and also along the way . Felmay label , that with Turra in recent years has forged an important partnership on fronts of Turbogolfer , Mahmoud Band and Nippon Eldorado , decided to take a reasoned look , hyper-selected but very representative of the work that the guitarist-composer has put in service of cinema and arts . Turra describes this selection with these words : “ Fifteen years of music written on commission - factually - not immediately puts you in a position to seek a listening consistency outside of the work for which it was written . It ’ s not obvious that ‘ the ’ music has the power to be heard outside ‘ that ’ context and it ’ s even less obvious that the chosen songs , coming from distant worlds between them , are able to form a decent ladder for an album . In this sense , the sorting was technically and emotionally a nightmare for the bulk technically and emotionally to the story . I mean that when you write for a film you ’ re actually trying to accomplish the sound imagination of the director , you have to do this , this is you always do ; why I almost always had the feeling that many musics were born out of no less than two people , even in cases in which the songs were written long before the conception of the film : it seems a nonsense but when the director heard that your old song and he says ‘ fuck , it ’ s perfect !’ happens a special and disturbing thing , your song is about the re-birth for new meaning and you stay there as a father trying to remember what were you thinking when you wrote it . In two cases ( Dustin and Trevor ) I have therefore taken the liberty of also witness the inverse dynamics , that wonderful time when songs that you think svolteranno the work , in the end , are not included in the film . “
Alberto N . A . Turra track by track Lp starts with aggressive Otto Haiku sulla morte ( il primo ), a minute of roaring guitar . Ideas entirely different ones of Seconda lamentazione , which supports the discourse with arches , in an environment that suddenly becomes classical and meditative . The guitar
10 starring Filippo Timi and “ The Origins of Music ” of the Mexican Daniel Arvizu and Sam Madrigal , have seen the light , the need has arisen and also along the way . Felmay label , that with Turra in recent years has forged an important partnership on fronts of Turbogolfer , Mahmoud Band and Nippon Eldorado , decided to take a reasoned look , hyper-selected but very representative of the work that the guitarist-composer has put in service of cinema and arts . Turra describes this selection with these words : “ Fifteen years of music written on commission - factually - not immediately puts you in a position to seek a listening consistency outside of the work for which it was written . It ’ s not obvious that ‘ the ’ music has the power to be heard outside ‘ that ’ context and it ’ s even less obvious that the chosen songs , coming from distant worlds between them , are able to form a decent ladder for an album . In this sense , the sorting was technically and emotionally a nightmare for the bulk technically and emotionally to the story . I mean that when you write for a film you ’ re actually trying to accomplish the sound imagination of the director , you have to do this , this is you always do ; why I almost always had the feeling that many musics were born out of no less than two people , even in cases in which the songs were written long before the conception of the film : it seems a nonsense but when the director heard that your old song and he says ‘ fuck , it ’ s perfect !’ happens a special and disturbing thing , your song is about the re-birth for new meaning and you stay there as a father trying to remember what were you thinking when you wrote it . In two cases ( Dustin and Trevor ) I have therefore taken the liberty of also witness the inverse dynamics , that wonderful time when songs that you think svolteranno the work , in the end , are not included in the film . “
Alberto N . A . Turra track by track Lp starts with aggressive Otto Haiku sulla morte ( il primo ), a minute of roaring guitar . Ideas entirely different ones of Seconda lamentazione , which supports the discourse with arches , in an environment that suddenly becomes classical and meditative . The guitar